Category Archives: Instruction
One of the most common questions I get from the parents of fastpitch softball pitchers is “How many pitches should my daughter throw per day?” Sometimes they’re worried that throw too much, but most of the time it’s that they don’t throw enough.
I know they’re looking for a hard and fast number, like 100, but it’s actually a tough question to give a blanket answer to. Here’s why.
If I tell them 100, or 200, or 50, then someone is probably going to start counting the pitches. The goal then becomes getting to the target number when the goal should be to improve with every pitch. That’s just human nature.
The problem is empty repetitions, where you’re just throwing to hit the number, are like eating empty calories. It might feel good at the time, but you’re really not helping yourself.
In fact, in the long run you may be hurting yourself. Just as you are what you eat, you also are what you practice. If you practice the wrong mechanics simply because you’re trying to hit that count of 100 pitches, you’re locking down a way of throwing that will make you worse, or at least keep you in the same place, rather than making you better.
I know this from personal experience. When I was a young lad, I took piano lessons. The requirement was I had to practice for a half hour a day. Well, a lot of times I wanted to be outside with my friends instead of sitting at our crappy old piano that had some broken keys, playing exercises and songs I didn’t care about. So I put in the required half hour (and not a minute more) without really accomplishing much of anything.
If you’re hungry and have a candy bar, you’ve staved off the hunger for a bit. But you haven’t nourished your body. You’re not making it healthier; you’re just making yourself fatter and more prone to whatever illness is going around. If your goal is to be strong and healthy, you need to eat foods that will help you accomplish that goal. Which means thinking before you eat.
The same is true of practicing. At each practice session you should have a goal. Maybe you need to fix your arm circle, or improve your leg drive, or gain control of your change-up. There’s always something to work on.
Knowing what your goal is, you should work toward that. It may come in 20 pitches. It may come in 1,000 pitches spread across a period of days. Whatever it takes, you should focus on what you need to do to reach your goal rather than how many pitches you’ve thrown that day.
It’s a much more efficient way to practice. In fact, I’d rather see a player throw 20 mindful pitches, or spend 10 mindful minutes working on something, than just “putting in the time” like a prisoner in the Big House.
This idea doesn’t just apply to pitching, by the way. It is the same for hitting, throwing, base running, position play, and so forth. Empty repetitions gain you nothing. In fact, the mindset that makes them empty will also tend to make them less than great, helping you get worse instead of better.
Instead, go for the substance. Nurture your game with focused practice and you’ll reach your goals more quickly – and with greater ease.
Last night I was working with a fastpitch pitcher named Kylie that my old job would have classified as a “boomerang.” I had given her lessons for a few months, then she ended up on one of those teams run through a facility that includes the lessons in the package.
After being dissatisfied with her progress as a pitcher over there, she recently returned to me as a student. (Most of that description has nothing to do with the story, but I just love the term boomerang.)
Anyway, at one point her dad, who was catching for her, told her to ask me the question she had. It turned out to be a really good one. What I liked about it in particular was it showed a desire to understand and get better at a deeper level than “because I say so.”
I love getting questions like that. Actually, I love getting any questions from students, or players on a team, because it shows they’re engaged. Yet I think often times many athletes, girls in particular, are reluctant to ask questions – even when they really want to know the answer.
I’m not sure why this happens, but I can speculate. I think one answer is that they might be concerned that the coach/instructor/other authority figure will feel like his/her position of authority is being challenged. Or maybe the athlete asked a question once and got reprimanded for it. Or maybe the athlete thinks somehow she should already know the answer and doesn’t want to feel stupid for asking. I’m sure there are other reasons as well.
In some cases, those fears may be true. Some coaches really might not like questions because they’re not secure in their own knowledge and don’t want to be trapped, or might be one of those “command and conquer” types who thinks communication should only flow one way. They’re certainly out there.
But athletes should never feel intimidated about asking questions. This is how we learn. How many great discoveries in the world started with, “I wonder why…” or “Did anyone ever consider…?”
Although you do have to be careful around “I wonder what would happen if…?” Often not much good comes out of that question, especially if it’s followed by “Here, hold my beer.”
From my point of view, though, questions are great. Again, they show the athlete is engaged in learning. I’ve always said that the first requirement for improvement is a willingness to change. Athletes like Kylie who ask questions absolutely embody that philosophy.
She heard what I was instructing, and knew she wasn’t quite doing it. She could feel it. But she didn’t quite know how to get where I wanted her to go. So instead of just nodding along and struggling, she asked a question that led to a more in-depth explanation. She tried it, and she got it.
She also asked one of the toughest things I think young athletes can ask: She had gone to a pitching clinic somewhere and they told her about keeping her weight back as she drove out; she wanted to know if that was right, and if so how do you do that if you’re trying to go forward.
That led to an explanation from me about how it’s like riding a skateboard on one leg, then putting your other leg down in front. Yes, you’re moving forward, but you want your entire body to be moving forward at once rather than a piece at a time. If you do that, you can drive into your front leg and get more whip rather than landing down, on top of your front leg and having everything come to a dead stop before you throw.
She got it, and was immediately able to improve her leg drive. Not to mention feel when her weight wasn’t quite where it needed to be. Either way, she now has the tools she needs to improve. And hopefully she’s a little more confident about asking me other questions in the future.
I’m definitely a fan of the Socratic method of teaching, where questions lead to dialog and critical thinking, rather than the “open the top of your head, I will pour in the knowledge, and then we’ll be done” method some coaches seem to favor. The more players understand why they’re doing what they’re doing, the more likely they will be to do it with passion.
It all starts with those questions. Not just from the coaches to players, but players to coaches. Incidentally, if you ask a coach why you should do something in terms of mechanics and he/she doesn’t have an answer, you might want to think twice about doing it. The coach could just be repeating something he/she heard somewhere once, and it may not be what you need to take you where you want to go.
If you’re a player, especially a young one, I know it can be intimidating to ask questions. But get over it and ask anyway. It will help the coach know how to make the information more understandable to you.
If you’re a coach, embrace questions. They show passion and involvement, that so-called “spark” it takes to achieve at a higher level. You want to encourage that behavior as much as you can, because a team full of inquisitive, engaged players are going to win a lot more games than a bunch of disinterested robots.
The only caveat with me is be careful when you ask me a question. You may end up hearing more than you ever wanted to know – especially if you’re the last lesson of the night. I love talking softball!
This is probably old hat for those of you who have been around fastpitch softball for a while, but it is definitely valuable for those of you who are new to coaching.
First of all, thank you for stepping up. Coaching isn’t easy, and it can be very time-consuming, but with the right attitude it can also be very rewarding. Not necessarily financially, but personally.
That said, if you’re new to coaching a team here is one of the most important lessons you can learn early: there is nothing more counter-productive to success than players just standing around waiting to do something.
The absolute worst, of course, is the typical rec league practice where the coach pitches to one player while the rest stand around in the field waiting until the ball is hit. Never, ever, EVER make that your practice, because basically you have one player sort of learning something, or possibly improving, while everyone else is having their time wasted.
What you want to do instead is plan out your practices so every player is getting a lot of touches/swings/repetitions throughout the entire time.
One good way to do that is to split your team into two or three groups (depending on what you need to do) and then have each group doing something different. For example, one group can be fielding ground balls that are hit to them, another can be fielding fly balls that are thrown or hit to them, and a third can be working on hitting. The hitting group can even be going through a series of drills/activities to keep things moving even more.
If you have two groups, one can be working on throwing drills/form while the other does hitting or fielding. There are plenty of variations, especially if you have good assistant coaches or even willing parents on hand.
What if you’re by yourself and need to keep the entire team together? You can still keep things moving quickly. Throwing drills like the star drill, or around the horn where you throw left and run right, can build skills while again keeping things moving. If your team needs to hit, you can pair up players and run six or seven hitting stations at the same time. All you need is a fence and some tees, although portable nets also help.
You can even do combo drills. One I liked to do was to have one group hitting off front toss while a second group worked on base running skills such as recognizing ground balls faster or going from first to third on a ball to the outfield. Lots of activities for small groups let you keep practice active. Constant repetitions also allow you to build conditioning into skills rather than having to do it separately during practice.
So how do you work all this in? I used to use the outline function in Word to list out everything I planned to work on that day. There would be a heading, and any notes or specifics would fall under the heading as sub-bullets. But the real key was placing times against each section.
For example, if we were going to do groups for hitting, infield, and outfield, I would look at which would take the longest to get through and place a time against it. Then I would extend that time to the other two groups, making sure to have enough different things to work on to keep them interesting.
In this example, say we had three groups of four. If I set up four hitting stations at five minutes each, that was 20 minutes. Infield and outfield would also be 20 minutes, with two or three drills depending on what was needed. Rotate through all three groups and there’s an hour’s worth of practice right there. Add in warmups, dailies, a five-minute break, and some situational work and you have a great, active 2-hour practice.
Of course, I’d usually have one or two other activities on the list, just in case we ran short (although we rarely did). Anything we didn’t get to this time would go on the list for the next practice.
If we were indoors in batting cages, I often would bring in players in groups of three or four for 45 minutes at a stretch. That was plenty of time to get them lots of hitting reps while keep the group size manageable. When their 45 minutes was up the next group would come in, then the next. It was quick and intense for the players, although it did keep the coaches there for 2:15 instead of a typical 2 hour practice. Still, much was accomplished that way.
One other important element in building practices is one I learned from John Tschida at the University of St. Thomas: never have the same practice twice. Always, always mix it up. It builds more skills, and keeps it more interesting for the players.
Fastpitch softball is a tough game, with much to learn – both in terms of skills and strategy. It requires a lot of anticipation and snap decisions based on a multitude of ever-changing factors. That’s what makes it exciting. But that’s what also makes it critical to use your practice time wisely. There just isn’t any time to waste.
Keep things moving at practice and soon you’ll be the coach everyone wants to play for.
One of the fun but challenging aspects of working with very young fastpitch softball players (under about 10 years old) is getting them to focus for any length of time. There are usually lots of things going on in their heads at any given time, and the slightest activity anywhere else can distract them in a major way.
That can be a problem at any position. But it gets even more noticeable with pitchers. As a fastpitch pitcher you have to be able to dial in to the strike zone. Visualizing the pitch location before you throw it is helpful for improving accuracy. That’s tough to do, however, when the three ring circus is playing in your head.
This is where playing to the player’s competitive nature can be a real asset. Giving her something specific to do, with a prize attached, can help drive that focus level right up.
I actually stole this idea from Cindy Bristow at Softball Excellence. It came in one of her newsletters, which are a great source for drills and games.
Set up a tee on the plate, and place a ball on top of it. Then challenge the pitcher to knock the ball off the tee with a pitch. You’ll be amazed at how quickly she gets dialed in.
That’s what we did here with Kaitlyn, the girl in the accompanying video. She was having a bit of trouble focusing on this day, so I set up the tee and put a 14 inch ball on top of it. It probably would’ve been more fair to use a basketball or soccer ball, but I decided to challenge her.
In the beginning, I offered her a sucker if she knocked it off. Her mom immediately upped the ante and offered her a milkshake on the way home if she succeeded. We then spent the last 10 minutes of that lesson with her pitching balls at the tee. The rule was she had to hit it directly – no fair bouncing the ball into the tee so it falls off. Also she had to use good mechanics, not just aim the ball at the target any old way.
That first night she came close a bunch of times but didn’t quite get it. The following week her mom told me Kaitlyn was in a foul mood on the way home. She really wanted that milkshake.
The video is from that next lesson. We gave her 15 minutes this time. Kaitlyn ratcheted up the focus, and was right around it for much of that time. Thinking she needed a little extra help to succeed, I had her little sister stand directly behind the tee on the other side of the net. A few more throws and Bingo! Success!
Of course as Han Solo says, good against a remote is one thing. Good against the living is something else.
Today I heard Kaitlyn earned a game ball for her pitching. Two scoreless innings with a couple of strikeouts.
I wouldn’t say it was all in the drill. She put in a lot of hard work throughout the off-season. But I will say it helped.
If you have a pitcher who could use a little help zoning in during practice give this drill a try.
The other night, as I was finishing up the paperwork for that night’s lessons, one of the baseball pitching instructors (who coincidentally also happens to be named Ken) walked into the office area sighing and shaking his head. The reason for his consternation was the expectations of some of the players he’d just finished working with.
“These guys are ridiculous,” Ken said (more or less, and perhaps a bit more colorfully). “They walk in here and expect to be throwing 20 mph faster in three weeks. It just doesn’t work that way.”
Amen, brother, I told him. I know the feeling.
The problem is we live in a microwave popcorn, instant oatmeal, 24-hour news cycle world. That has set an unrealistic expectation in many people’s minds of the way everything should work.
All too often kids will walk in and expect (or their parents will expect) that if they take a handful of lessons that suddenly they will be stars. More likely that’s just enough time to mess them up pretty good, especially if they had a lot of bad habits before.
Bobby Simpson has the mantra “Getting better every day.” That’s a great way to think about it. The goal isn’t to take a few lessons and solve every issue. The goal is to be better walking out than when you walked in, whether that’s at a lesson or at practice.
The goal after that is to walk into the next lesson or practice either better than the last one, or at least picking up where you left off.
The old cliche “it’s a marathon, not a sprint” definitely applies. Whether you take the 10,000 hour rule as gospel or more as an allegory, the reality is it takes some length of time and constant work to see meaningful results.
Think about learning to play the piano. How good do you think you will be after four lessons? Maybe you’ll be able to play a credible version of “Mary Had A Little Lamb,” but you won’t be taking Chopin on anytime soon.
Or what about ballroom dancing lessons? Do you think four half hour sessions spent on the Foxtrot will have you dancing like Fred Astaire or Ginger Rogers? (Kids, follow the link to see who they were. They set the standard for dance in Hollywood musicals.)
Even if you’re not coming in with zero experience, if you’ve had a long layoff from practicing you’re not going to see a huge jump in three or four weeks. It takes time. Lots of time.
Typically, I find once I get a hitter mechanically sound that it takes about a year for them to see the real benefits. There is so much going on with hitting that it’s easy to be hesitant or get knocked off-track, especially in a game. With a year’s worth of using those mechanics and seeing live pitching, hitters start to get to the point where they can just go with it subconsciously, allowing them to spend their conscious brainpower on where the ball is and when it will arrive.
Fastpitch pitchers often have the same timeline. It’s one thing to be zinging the ball to your spots in practice. It’s another to do it when there are live hitters, umpires, coaches, teammates, opponents, parents and other spectators around and you’re playing for something meaningful.
As I always tell my pitching students, the circle looks bright and shiny from the outside, but it can be a cold, dark place on the inside.
None of that happens, however, without first putting in the work up-front. If it could, i.e., if some coach or instructor could add 20 mph or otherwise reach some great goal in three sessions, those sessions would cost $1,000 apiece or more, and there would be a line a mile long to get some of it.
That’s the dream. But it’s not reality. I wish there was a shortcut, but as far as I and everyone else I’ve ever met knows there isn’t one.
Instead, the key is to set realistic expectations and work on little improvements that add up over time. Approach it any other way and you’re sure to be disappointed. And guys like poor Ken will continue to pull their hair out.
One of the keys to maximizing both speed and control for fastpitch pitchers is driving straight down the powerline (more or less). That is the direct line that starts at the middle of the pitcher’s rubber and continues straight until it intersects the center of home plate.
Wander too far off the line and your power will be spread across too wide an area to be effective. Think about a laser versus a flashlight. Both send light out from the source. One (the flashlight) spreads its energy across a wide area; the other (the laser, obviously) focuses all its energy in one direction, and on a very small area. Which is powerful enough to cut through metal?
Still, it’s one thing to tell a pitcher to go straight down the powerline, even when there is one drawn right in front of them. It’s another to get them to do it, especially when they’re working hard to maximize their leg drive.
If you’re indoors and using a pitching mat, here’s a way to help pitchers learn to take a more direct route. Either move the mat or the pitcher so she is standing with her throwing-side foot next to the mat as Jenna is here. Then have her execute the pitch.
She will receive instant feedback as to whether she stayed straight, and the long line of the pitching mat will serve as a visual guide as to where her foot should go.It seems to be more effective than the simple drawn line, because there is dimension to it. And it’s safer than using a larger obstacle such as a bat bag – just in case the pitcher makes a mistake.
As a bonus, the long line of the mat will also give her a guide for her throwing-side foot, helping pitchers who tend to let that foot swing too much out behind their glove-side foot. If your goal is for the throwing-side foot to drive straight down the line, she can just trace the side of the mat with that foot to get the feel.
For those who are outside, a narrow roll of foam from the hardware store will serve a similar purpose. Just be sure to anchor it down so it doesn’t blow away.
If you have a pitcher who’s having trouble staying on the straight and narrow, give this a try. And as always, let me know how it works for you.
I know the title sounds like a tongue twister (how much wood can a woodchuck chuck), but the question of how many pitches a fastpitch pitcher should have is an important one. Mostly because it determines how pitchers will be spending their valuable practice time.
The “old school” approach is that a pitcher only needs three pitches – drop, changeup and riseball. And that approach has served many pitchers well for a lot of years.
That may be outdated thinking, however. Over the weekend I again was one of the supporting instructors at the Indiana United Fastpitch Elite clinic, which was led by Rick and Sarah Pauly. On Friday night, Rick presented a PowerPoint talking about the overall mechanics of pitching, and then took questions both during and after the presentation.
One of the questions, from my friend Mike Borelli, was how many pitches should a pitcher have. Rick turned to Sarah, the winningest pitcher in National Pro Fastpitch history, and asked her how many she had.
Her reply wasn’t three. It was seven. As I recall she named drop, change, rise, two curves, backdoor curve and a screwball.
Rick and Sarah then went on to talk about how with today’s hitters you need to have more weapons.
Think about why that is. In the old days in women’s fastpitch, the ball was white, with white seams, and pitchers even at the international level stood 40 feet away. Pitchers put in way more time learning their craft in the off-season than hitters did. That might have been a good thing because what most people were teaching about hitting was pretty bad. Hitters are smarter, too, spending more time studying pitchers and looking for patterns. Also, there is no doubt today’s bats are much hotter than those back in the day.
You put all that together and having more than three ways to attack a hitter starts to make sense. (FULL DISCLOSURE: I have quite a bit of confirmation bias in this way of thinking because I’ve been saying it for years.)
If all you have is three pitches, even if they’re great ones, you become more predictable. And predictability is deadly. Just ask any pitcher who has a coach who likes to favor certain pitches. It’s a lot easier to dig in and hit if you know what’s coming.
Now, no doubt some of your pitches will be better than others. No doubt you will throw them more than others. But if that’s all you throw, it’s easier to prepare to hit against you. Throwing in something a little different, even now and then, keeps hitters off balance and uncomfortable, which is the key to great pitching.
It was great to hear this philosophy confirmed by someone who has been around the women’s game, and played the men’s game, for a long time. If you’ve been restricting yourself/your daughter/your students to three pitches, you might want to give this a little thought. Perhaps it’s time to add a new pitch.
As important as it is, timing is one of the most challenging things for fastpitch hitters to work on. You can build your swing on the tee all day every day. But it isn’t until you have to actually face a moving ball that it really becomes game-like hitting.
What you’re really trying to do with timing is find the ball in space. What I mean is that you have to deliver the bat not only to the right height, as you do on the tee, but also in a plane that extends from where the pitcher releases the ball to the optimal (hopefully) point near you that yields the best contact.
For many hitters, figuring out where that point is can be difficult. Many tend to wait too long, letting the ball get too deep. When that happens they may make contact, but it probably won’t be strong contact.
At best, especially if the pitch is on the outside half of the plate, they make get a sharp ground ball to the opposite field. But even then they won’t really be driving it. And forget about crushing an inside pitch over the fence on their pull side, no matter how strong they may be.
The problem isn’t a lack of conscious understanding. I’ve worked with plenty of hitters who understood exactly where they needed to make contact. If you asked them they could quickly give you the right answer. But put them up against a moving ball and they just can’t pull the trigger on time to do what they just told you they should do.
Speed doesn’t matter either. They get the same results whether they’re facing a 60+ mph fireballer in a game or a coach lobbing meatballs in front toss. It’s not a question of when so much as where.
If you have (or are) one of those, here’s a trick to try. Place a second plate immediately out in front of the one you’ve been using. (It helps if the two plates are different colors.)
Tell the hitter to line up with the back plate, but base her hitting off the front one. Then have her take a few swings.
What you will probably find is that she is suddenly able to get the bat to the ball on time. Honestly, I’m not sure why that is; perhaps a psychologist could explain it.Then again, I never saw a pitch I didn’t like. The simple act of placing that second visual seems to help. It certainly did with Emma, who is pictured here. (In case you’re wondering, that’s her dad Mike lurking in the background. :-))
Once that second plate went down she not only started hitting the ball better, but actually started pulling front toss pitches that were inside. The visual helped break whatever was locked into her mind so she could cut loose and attack the ball instead of taking a more defensive, don’t let the ball get through approach.
The next step is to take the front plate away to see if she can maintain the “hit it out-front” mindset. If not, put it back and keep working. Then try it again next practice. Eventually her brain will re-calibrate and associate that space just in front of her with where the contact point should be.
I prefer the “all or nothing” approach with the second plate to moving it back slowly. I’m just afraid with most hitters, if you move the front plate back a little, you’ll drag the hitting zone back along with it because the front of that plate will still be a reference point. Better to take it away entirely and see whether it has translated yet or not.
By the way, I have my theories as to why hitters get into the mindset of waiting until the ball is practically on top of them to swing. One idea is that when they are playing rec ball early in their careers, they’re not sure of where the strike zone is (or if the pitcher can hit it), so they wait until they’re absolutely sure they know where the ball is.
Since most kids don’t hit the ball particularly hard at that age, the bad placement isn’t really noticeable. But as they progress in the game and hitting gets better, those who don’t make the adjustment get left behind. .
My other thought has to do with tee placement. How many times have you seen a player (or a well-meaning but under-informed coach) plop the tee right in the center of the plate, which places the ball right about at their bellybutton? Those ubiquitous tees with the plate for a base certainly help reinforce that concept.
So after hours of practicing that way, where do you think a hitter is going to expect to hit the ball? And once that mindset is locked in, it can be tough to break.
So give the second plate idea a try and see if it helps. Then let me know your results in the comments below. Also, if you’ve found other successful tricks to help hitters understand how to hit the ball in the proper space as it’s moving, please be sure to share them with everyone here.
In fastpitch softball, as in baseball, catchers tend to make their bones in two areas above all else. One is their ability to block pitches in the dirt. The other is their ability to throw out baserunners, either on steals or pickoffs.
Key to the latter is the ability to make a quick throw. While having a strong arm is important, a strong arm can be offset by requiring a slow, deliberate release. And for catchers whose arms are not the strongest, having a quick release becomes even more critical.
One of the ways you can speed up a catcher’s release is by getting rid of the need to “find” the base first. In other words, when the catcher goes to throw the ball – either on a steal or a pick – she shouldn’t have to look at where the base is and process the information.
Instead, she should just know instinctively where it is. The tenth of a second or two she saves by not having to “find” the base first can make the difference between safe and out.
Even the runner is safe, if it’s just by a hair it will serve as a warning to the other team’s coach not to get too adventurous on the basepaths. After all, coaches generally don’t test the catcher’s arm/release with their slowest runners – they use their fastest. If you can make it a photo finish with the fastest runner, it’s unlikely the coach will be anxious to send the rest.
So how do you get catchers to throw with more instinct? One of my favorite methods is by using a blindfold. Here’s how it works.
First, you must have already trained your catchers on proper technique, including the need for urgency. If you haven’t done that first, stop now and do that, then come back to this idea.
If you have, however, then it’s time to bring out the blindfold. The catcher starts with the ball in her glove and the blindfold in place. Make sure she’s in line with where she would normally set up, then have her get into her runners on base stance. Tell her to visualize where the base you’re throwing to is. I usually like to start with throws to second.
When she’s ready, either blow a whistle or yell “she’s going.” At that point the catcher pops to her feet (or drops to her knees if she can throw that way) and executes the throw as quickly as possible.
If she has a good feel for where the base is without seeing it, and good technique, she should be able to make the throw reasonably close. If she doesn’t, it could go anywhere and you’ll know you have some work to do.
If the throw goes offline, be sure to tell the catcher where it went so she can get a feeling for the difference between where she thinks it is and where it actually is. Also be sure to watch as she makes her throw for mechanical flaws (such as not pointing the front shoulder at the target) that can throw her off.
One way to make it more interesting is to offer a prize. This is particularly effective if you’re working with multiple catchers at once, since once one of them is successful it will spur the others. I’ve used a stick of Chapstick, a pack of gum or a roll of Mentos as prizes. You can select whatever you want.
Having a competition for a prize is a great way to end a training session, by the way. I like using this type because everyone has a shot at it (versus having only one winner) if they execute properly.
To add a degree of difficulty, have the receiver sit on a bucket or a chair. That cuts the adjustability of the receiver, so the throws really have to be spot-on. If you’re working with multiple catchers, you can add in some conditioning by having one be the thrower, one the receiver, and another chasing down errant throws. Give the thrower one shot, then she sprints down to become the receiver, carrying the ball with her. The running not only helps them build their legs but also fatigues them, helping simulate the feeling of having played a couple of games already.
This drill/game can be used for any base. It can be particularly interesting for right-handed catchers to learn to throw to first base on a pickoff attempt since the moves will have to be stealthy and they must rotate beyond the 90 degrees required to throw to second. It can get pretty random, especially outdoors, so your “chaser” will get a good workout in.
Throwing to bases blindfolded can be pretty challenging at first, so keep them encouraged. Let them know there is a degree of difficulty involved, and there’s no shame in not being able to do it at first.
But if they CAN learn to throw to bases instinctively, without seeing, the whole process will become a whole lot easier when they’re not blindfolded.
Don’t be surprised, by the way, if this quickly becomes your catchers’ favorite drill/game. The ones I’ve used it with usually will ask if they can do it, or will select it if given a choice of how to close out practice.
Truth is it’s not only challenging – it’s fun. And a point of pride when they’re able to make the throw.
Tossing out baserunners takes a lot of instinctual play. This is a great way of helping to build those instincts.
I have always been a big believer in the ability of kids, at least certain kids, to learn the nuances of softball through osmosis. I certainly saw it with my own daughters, who were eight years apart.
When my older daughter Stefanie was playing, we dragged all the other kids out to her games. We had to – she was the oldest, and we couldn’t leave the others at home.
When Stefanie was playing 14U, my youngest child Kim was 6. I was coaching, so I mostly remember seeing her heading off to a playground or just sitting in the grass. We never talked to her much about what was going on.
But somewhere along the way it must’ve stuck in her brain, because by the time she started playing she had a pretty high level of innate knowledge about what to do when. For example, I never had to teach Kim about going after the lead runner on comebacker to the pitcher. She just knew.
I am convinced that’s because she saw so many games. Even if she wasn’t constantly thinking about what was going on, she picked up a lot of it by osmosis. I think that’s the benefit the younger sister (or brother) gets.
I bring this up because of something that happened last night that just tickled me. I have been working with a 12U pitcher named Jenna for a little over a year now. (I refuse to say anyone is 11, 13, 15 or any other odd number of U. Old school.)
Anyway, I started with Jenna when she was 10U, and she’s made the transition to 12U pretty easily. It’s fun to see how far she’s come in a short period of time, and how she can take command of a game.
This summer, her dad Gary decided it would be a good time to get his younger daughter Sammie started. She was 8 when we started, playing rec league, but I know Gary has aspirations for her future. 🙂 She turned 9 not long ago.
At first she had all the challenges 8/9 year olds typically have. Like being so literal about her form that she looked all stiff and robotic.
But she’s determined, and has been working hard. The last couple of lessons the light bulb has started coming on and she’s been throwing more relaxed. Her strikes are going up, and she’s definitely throwing hard. So last night I thought it might be a good time to get her started on the basics of a changeup.
When I said that, Gary told me, “Sammie’s already gotten started on it.” Apparently she’d been watching Jenna and thought it looked pretty cool, so she decided to start working on it on her own.
I asked her to show me, and darned if she didn’t do a nice job! The pitch was really high, but it was straight, and more importantly it was the right speed without slowing her arm down. She did a couple more and it was the same thing.
Honestly, I was impressed. I asked Gary if he had been working with her and he said no. Sammie had just picked it up by watching Jenna.
I think what knocked me out was that she was maintaining her arm speed. Normally, when a new pitcher is trying a change on her own she’ll slow down to make the ball go slower. (Which, by the way, is the opposite of what you really want to do.) Not Sammie, though. She just cranked it right out there and let the design of the mechanics do the job.
Of course, it helps that she has a great example to model herself after. Jenna throws a killer change that is quite effective in games. But still. Sammie just sort of figured it out by watching.
We did some quick work and got Sammie throwing it for a strike at least part of the time. But it sure was nice to start from a solid foundation!
So there you go. Learning the game, or even parts of it, doesn’t always require a formal setting. Sometimes, if you’re fortunate, it just happens. Gotta love osmosis.