Category Archives: Pitching
As you may have possibly heard as a fastpitch softball fanatic, our sport is back in the Olympics for the first time since 2008! This is a rare moment to watch the best players in the world compete on a huge stage with presentation budget of a major network production.
It’s also the last time for the next eight years as the sport is not included in the 2024 Paris Olympics. It is expected to return in 2028 and 2032 when the games flip to the U.S. and Australia. Who knows what will happen after that?
So since this is such an unusual opportunity you’ll want to make the most of it. Not just to sit back and enjoy the games (although that’s great) but also to learn all you can while you have the opportunity.
So to help with that, here are a few pointers on some things to pay closer attention to. The Speed of Play.
The Speed of Play
I’m not talking about pitch speeds, although they are incredible too. I’m talking about what happens when a ball is put in play.
Look at what happens on a ground ball. It is scooped up and on its way to first in a “blink and you’ll miss it” fashion. There is no double-clutching, no calmly standing up and then casually firing it over. It’s there and gone.
Or look at the baserunners. Even the ones you would think are more powerful than fleet are incredibly fast. If a ball is hit between two fielders in the outfield there’s a good chance the runner on first is going to third. Bobble it at all and she’s heading for home.
Everything is amazingly fast. If you want to know what to work on in your/your daughter’s/you players’ games, work on that.
For example, don’t just hit them ground balls. Run a stopwatch and challenge them to make the play in less than three seconds. I find blowing an air horn when the stopwatch hits three seconds provides a pretty good indicator of whether they were successful enough.
Work on just pure running too. I know most people get into softball because they don’t like all the running in other sports, but it’s something that does need to be addressed.
While you can’t make everyone fast you can help them get faster. The faster your team is the more pressure it puts on the defense and the more runs you can score when you need them.
Here you can start by making sure your players are running on their toes instead of heels or flat feet. Then do a lot of short, quick sprints.
Run down a hill. Have two or more players run against each other, perhaps letting one player start in front of the other. Have them play tag around the basepaths. Anything to get the feet and arms moving faster.
Watch the Pitching Mechanics
The coverage I have seen so far has been amazing at showing pitching mechanics. We are getting great closeup shots of what is happening at release on great pitchers such as Cat Osterman, Monica Abbott, and Yukiko Ueno.
Notice how close they are to their bodies at release, to the point where their forearms brush against their hips. Note how on a curve ball the hand kind of wraps around the back hip instead of being out and away.
Watch how they release the ball with a smooth, whipping motion. Note that they are vertical or leaning slightly back instead of being bent forward.
Also watch how they seem to glide on their back leg, like they’re riding a skateboard, until the front foot lands. Then they go into whip and release.
While you’re watching that, also note that they don’t drag their back legs behind them like zombies. The leg stays under them, which is what allows that skateboard-like movement.
It’s really a Master Class on pitching, happening pitch after pitch.
Listen to the Communication
With no crowd noise to speak of you can hear what’s going on down on the field more clearly. While at first you may list to the description of the play, maybe watch a second time and listen to what’s happening on the field.
They’re not down there keeping to themselves. Those players are communicating.
They’re talking before the play to make sure everyone knows their responsibilities. They’re talking during the play to help direct throws and avoid confusion. And they’re talking afterward to clean up any issues and pick up their teammates if something went wrong.
The more you communicate the better you’ll play as a team. Learn from the best.
What Happens Away from the Ball
The initial camera work is going to follow the ball. That makes sense because that’s where the main action is.
But during replays from other angles, look at what other players are doing. Who is backing up at a base? What is the right fielder doing on a throw from center to third?
If there is a steal or a bunt, who is fielding it and what are the other players doing?
For example, with a runner on first, if the third baseman fields the ball who goes to cover third in her place when the ball is bunted? Is it the shortstop, leaving second uncovered?
Unlikely since they may want to go for the lead runner. So is it the catcher? Pitcher? Left fielder?
The more you see how Olympic teams operate in particular situations the better idea you’ll have of what your team/daughter should be doing. Or at least learning.
How Tough Hitting Is Against Great Pitching
So far there hasn’t been a ton of offense in most of the games. That’s to be expected with such great pitchers.
Maybe it will change as the tournament goes on and the hitters get used to the high level of pitching they’re seeing. But right now it does demonstrate how challenging hitting can be – even for the best players in the world.
That’s something to keep in mind when your daughter goes 0 for 8 on a Saturday, or your team hits a collective .225. No matter how hard you work, a lot of good things have to happen to succeed at hitting.
That said, practicing properly (and often) gives you your best chance to succeed. Each of the players you’re watching works incredibly hard to do what she does.
Imagine where those hitters would be without all that hard work.
Softball is a game built on failure. It’s those who can push past it who will ultimately succeed.
They Make Mistakes Too
I think this is an important lesson for parents (and some coaches) to learn. These are the very best players in the world, presumably. But at some key moments, usually when their team can afford it the least, you will see a player here or there make an error.
It happens. It’s unfortunate but it does, even to the best. Especially in a pressure situation.
What parents (and some coaches) need to take away from that is these things are going to happen occasionally so you can’t freak out or get down on your daughter/player or scream at her in a way that makes her feel bad about herself.
This applies not to just physical errors but mental errors. If you’re a coach, make the correction in a non-judgmental way and move on. Believe me, she didn’t do it just to make you look bad or ruin your day.
If you’re a parent, be supportive. She’s probably already feeling horrible about it. Instead of making it worse help her learn from the experience so she doesn’t repeat it.
Realizing even the best players in the world make mistakes now and then will help you enjoy your daughter’s/players’ playing more and avoid turning one bad play into a bad inning – or a bad game.
Anyway, those are a few of the things I think you should be watching for as you enjoy softball in the Olympics. Any other thoughts? Leave them in the comments below,
Photo by Anthony on Pexels.com
As I write this we are in the middle of summer vacation time here in the U.S. Families all over America are packing themselves up from wherever they live and traveling to a different area, state, time zone, etc. in search of a little R&R.
Even softball families are in that process. Some have already finished their seasons, while others are fitting in a little vacation time before or after tournaments.
For me, when I think of vacations I am reminded of taking my family to a lake for some serious downtime. Originally that meant the North Woods of Wisconsin, where we and various members of my wife’s family would rent cabins.
As part of the rental, we would get motorized row boats that we could use to go fishing. I’ve never been much of a fisherman, and didn’t grow up rowing boats so I found that a bit of a challenge at first, but when in Rome…
Now years later I’ve come to realize that those motorized row boats are the perfect analogy for the role of the back leg in pitching and hitting. Because it can either be a propeller or an anchor when you’re trying to be explosive.
A propeller will help you get where you’re going faster. Being fairly incompetent at rowing a boat, at least at first, I found the propeller to be a much easier way to get from point A to point B, even if those two points weren’t that far apart.
As long as you can fire up the motor (not always easy in a free rental), you can open the throttle and steer your way there while relaxing. That’s a lot easier than using oars to move through the water, especially if you’re using one oar more than the other, in which case you tend to make more of a circle than a straight line.
An anchor, on the other hand, is designed to hold you in place once you get to where you’re going. If you leave the anchor down, even with a motor, it will be much hard to get to your destination.
So it is in softball. In pitching, you want the “drive” leg to propel your center forward, enabling you to glide lightly along the ground until your front leg lands. Do it quick and powerfully enough and the sudden stop will help sling/whip your arm through the release zone.
But if you don’t engage your drive leg, and instead just run past it with your stride leg, the drive leg will turn into an anchor, lifelessly dragging behind you and slowing you down. When that happens, the drive leg doesn’t drive at all, but instead gets pulled along in the classic zombie walk. This is why it’s often called “zombie leg.”
Clearly one is better and more effective than the other in creating speed and enabling stability at release. Hopefully I don’t have to tell you which one that is.
While not quite as obvious or debilitating, the same effect occurs in overhand throwing. If the throwing side isn’t engaged actively as a propeller it becomes an anchor, which affects both speed and accuracy.
What about hitting? The same is true, although in a different way.
In hitting, you want the lower body to create the power. While that is really more of the core than the legs themselves, the rear leg contributes by having its knee start pulling toward the front knee, unweighting the leg so the hips can fire forward at maximum velocity.
If the hitter doesn’t get off the back foot the hips are unable to rotate rapidly or fully, and you wind up with more of an upper body swing that pulls the contact point further back. You’re then not hitting in the green zone.
The bottom line (no pun intended) is the back leg can either be an aid or a hindrance in making athletic movements in softball. Which it is depends entirely on the player.
Get it actively engaged, doing what it should do, and it becomes a propeller that helps drive better performance. Leave it behind and it will be an anchor, slowing the player down and creating a huge drag on performance.
Photo by Mount Polley on Pexels.com
Let me start by declaring right in the beginning I am a huge advocate of the pitching mechanics known as “internal rotation” or IR. While it may also go by other names – “forearm fire” and “the whip” comes to mind – it essentially involves what happens on the back side of the circle.
With IR, the palm of the hand points toward the catcher or somewhat toward the third base line as it passes overhead at 12:00 (aka the “show it” position), the comes down with the elbow and upper arm leading through the circle. From 12:00 to 9:00 it may point to the sky or out toward the third base line. Then something interesting happens.
The bone in the upper arm (the humorous) rotates inward so the underside of the upper comes into contact with the ribs while the elbow remains bent and the hand stays pointed away from the body until you get into release, where it quickly turns inward (pronates). It is this action that helps create the whip that results in the high speeds high-level pitchers achieve.
This action, by the way, is opposite of so-called “hello elbow” or HE mechanics where the ball is pointed toward second at the top of the circle and is then pushed down the back side of the circle until the pitcher consciously snaps her wrist and then pulls her elbow up until it points to the catcher.
Note that I don’t call these styles, by the way, because they’re not. A “style” is something a pitcher does that is individual to them but not a material part of the pitch, like how they wind up. What “style” you use doesn’t matter a whole lot.
But mechanics are everything in the pitch, and the mechanics you use will have a huge impact on your results as well as your health.
IR is demonstrably superior to HE for producing high levels of speed. The easiest proof is to look at the mechanics of those who pitch 70+ mph. You won’t find an HE thrower in the bunch, although you’ll probably find a couple who THINK they throw that way, which is a sad story for another day.
It also makes biomechanical sense that IR would produce better speed results. Imagine push a peanut across a table versus putting into a rubber band and shooting it across the table. I know which one I’d rather be on the receiving end of.
So when trying to defend what they teach, some HE pitching instructors will respond by questioning how safe it is to put young arms into the various positions required by IR versus the single position required by HE. They have no evidence, mind you. They’re just going by “what they’ve heard” or what they think.
Here’s the reality: IR is so effective because it works with the body is designed to work rather than against it. Try these little body position experiments and see what happens.
Experiment #1 – Jumping Jacks Hand Position
Anyone who has ever been to gym class knows how to do a jumping jack. You start with your hands together and feet at your side, then jump up and spread your feet while bringing your hands overhead. If you’re still unsure, Mickey Mouse will demonstrate:
Look at what Mickey’s hands are doing. They’re not turning away from each other at the top, and they’re definitely not getting into a position where they would push a ball down the back side of the circle. They are rotated externally, then rotating back internally.
Experiment #2 – How You Stand
Now let’s take movement out of it. Stand in front of a mirror with your hands at your sides, hanging down loosely. What do you see?
If you are like 99% of the population, your upper arms are likely touching your ribs and your hands are touching your thighs. In other words, you’re exactly in the delivery position used for IR.
To take this idea further, raise your arms up about shoulder high, then let them fall. At shoulder height your the palms of your hands will either be facing straight out or slightly up unless you purposely TRY to put them into a different position.
When they fall, if you let them fall naturally, they will return to the inward (pronated) position. And if you don’t stiffen up, your upper arms will lead the lower arms down rather than the whole arm coming down at once.
What this means is that IR is the most natural movement your arm(s) can make as they drop from overhead to your sides. If you’re using your arms the way they move naturally how can that movement be dangerous? Or even stressful?
When they fall, you will also notice that your upper arms fall naturally to your ribcage and your forearms lightly bump up against your hips, accelerating the inward pronation of your hands. This is what brush contact is.
Brush contact is not a thwacking of the elbow or forearm into your side. If you’re getting bruised you’re doing it wrong.
Think of what you mean by saying your brushed against someone versus you ran into them. Brushing against them implies you touched lightly and slightly altered your path. Bumping into them means you significantly altered your path, or even stopped.
The brush not only helps accelerate the inward turn. It also gives you a specific point your body can use to help you release the ball more consistently – which results in more accurate pitching. It’s a two-fer that helps you become a more successful pitcher.
Experiment #3 – Swing Your Glove Arm Around
If you use your pitching arm you may fall prey to habits if you’ve been taught HE. So try swinging your glove arm around fast and loose and see what it does.
I’ll bet it looks a lot like the IR movement described above. That’s what your throwing arm would be doing if it hadn’t been trained out of you.
And what it actually may be doing when you throw a pitch. You just don’t know it.
The more you look at the biomechanics of the IR versus HE, the more you can see how IR uses the body’s natural motions while HE superimposes alternate movements on it. If anything, this means there’s more likelihood of HE hurting a young pitcher than IR.
The forced nature of HE is most likely to show up in the shoulder or back. Usually when pitchers have a complaint with pain in their trapezius muscle or down closer to their shoulder blades, it’s because they’re not getting much energy generated through the HE mechanics and so try to recruit the shoulders unnaturally to make up for it. That forced movement places a lot of stress on it.
They may also find that their elbows start to get sore if they are really committed to pulling the hand up and pointing the elbow after release, although in my experience that is more rare. Usually elbow issues result from overuse, which can happen no matter what type of mechanics you use.
The bottom line is that if the health and safety of young (or older for that matter) pitchers is important to you, don’t get fooled by “I’ve heard” or “Everybody knows” statements. Make a point of checking to see which way of pitching works to take advantage of the body’s natural movements, which will minimize the stress while maximizing the results.
I think you’ll find yourself saying goodbye to the hello elbow.
I have made it clear in the past that I am not a fan of time limits on fastpitch softball games. Maybe I’m just old but I believe the game is meant to be played over a minimum of seven innings, no matter how long that takes.
Time limits, however, are a fact of life in travel ball. Whether you believe it’s tournament directors/organizations being greedy by trying to squeeze 10 lbs. of play into a 5 lb. set of fields or well-meaning tournament directors/organizations trying to ensure that games run on time out of respect for the teams who spend all day at the ballpark, time limits don’t appear to be going anywhere any time soon.
With that in mind, I have a few observations on how these time limits are affecting the game today, and how they will affect it in the future. Whether you agree or disagree, let me know in the comments below.
Observation #1: Pitchers find it more difficult to last seven innings when required. I am seeing that a lot in high school ball right now.
Pitchers who are used to games lasting 75 or 85 minutes are able to perform at a high level for five innings or so. But come inning #6, they start having a lot more trouble.
Now, I know some will say that’s because they’ve gone around the batting order a couple of times and the hitters have seen them. But I don’t think that’s the sole reason.
I believe that mentally they are used to the games being done by that point, and the thought that they have to keep going requires some adjustment. For some, it can even get tough at the end of the fifth as they realize they still need to have something in the tank for another two innings.
Does that mean they can’t adjust? Of course not. But it may take them a while before they learn to pace themselves properly for a seven-inning game.
Observation #2: Teams can no longer ride one pitcher for the season. Back in the day, to be successful a travel team, high school team, or even a college team really needed only one Ace pitcher. She was expected to carry the load, pitching every inning (or nearly every inning at least) in every major tournament.
That is no longer the case. Now, it could be that the hitters have gotten a lot better, actually working at their craft in the off-season like pitchers always have.
Rule changes have also made it tougher to ride one pitcher. Pushing the pitching distance back and moving from white balls with white seams to yellow balls with red seams has brought more offense into the game. So has bat technology, which sometimes allows a ball struck with a half swing to carry over the fence.
But I also think the way travel teams and tournaments are structured has had an effect on pitchers’ ability to carry that type of load. All the stop/start of more games can place more stress on young arms, so teams are spreading the load more.
While I think that’s a good thing overall, it also means many young pitchers don’t learn HOW to carry the load. They know there’s always help available.
Greater availability of facilities and lessons also means there are more pitchers out there than ever before. Those pitchers aren’t going to stick around very long, however, if they don’t get innings, so that means coaches must ensure #2 and #3 receive enough circle time to stay with the team.
From a health and safety perspective that’s a good thing, in my opinion. But it does mean that fewer #1s are learning how to be that pitcher. They are becoming more inclined to thinking they did their job in game one, and now it’s time for someone else to step up.
Observation #3: We will likely see more specialization in the future. As a result of the previous changes, I think it’s likely fastpitch softball, especially at the collegiate level, will start to look more like baseball, with a bullpen full of specialists.
Right now, all pitchers are considered to be starters. That doesn’t mean they all get starts – that decision is still merit-based (or political, depending on who you talk to).
But pitchers in a college bullpen aren’t thought of as being middle relievers, or closers, or really anything other than an arm available to throw in a game.
I think that will change, especially with a generation of pitchers used to working within time limits. That girl who is lights-out for one inning but deteriorates rapidly after?
Instead of trying to force her to improve her endurance, make her a closer. She can just go in and rocket the ball for three or four hitters rather than giving the top of the lineup a chance to see the starter for a third or fourth time.
Your #3 or #4 starter? Maybe she’s better suited to be a middle reliever. Pair her up with a starter where she will be a contrast – like a dropball pitcher paired with a riseball pitcher – and let her come in when hitters start getting comfortable with the starter.
The more teams use their pitchers as a staff in specific roles rather than trying to fit everyone into the “starter” category, the more they can become strategic.
Would it be better to have one Ace you knew you could ride the whole way? Maybe. But thanks to the way pitchers are being developed these days I think that ship has sailed.
Rather than fighting it, it’s time for colleges to look at what they’re getting and figure out how best to use them. The good news for players is that this sort of change in thinking might open up some new opportunities that weren’t there before. Especially for those who fit that “closer” description.
The foundation of softball at the high school and collegiate levels is youth softball – primarily travel ball. Changes there will affect the way the game is played all the way up the food chain.
Rather than fighting it, or clinging to old ways, schools need to take a hard look at the way the game is being played at the younger levels and adjust their strategies accordingly. Those who do will likely have greater success in both the short- and long-term.
As I have mentioned plenty of times in the past, “A League of Their Own” is one of my favorite movies. Not just sports movies but movies in general.
A particular highlight (at least for me) is Jon Lovitz as Ernie Capidino, the scout assigned to find players for the new women’s professional baseball league. He has many hilarious lines, including this one as he tries to hustle new recruit Marla Hooch onto the train so they can get on their way:
Maybe I had this in the back of my mind as I was working with some young pitchers tonight, because the idea of a train came to me as I was trying to explain how to get more drive out of the lower half of the body instead of just lurching forward with the upper body.
I told them that everything from the waist down is the train, and everything from the waist up is the passenger. In order for the passenger to reach her destination the train has to move and carry the passenger. If the passenger is what moves, or primarily moves, it’s unlikely that it will be able to carry the train out of the station.
In other words, it’s the lower body that drives out, with both feet moving forward at the same time, rather than the head and shoulders leading the way. With the former you get power, good posture and stability. With the latter you get all kinds of problems, including reduced speed, a lack of consistency and ultimately pitches that fly all over the place.
Once the pitcher understands, the goal is to get the train in motion and let the passenger just go along for the ride. That comes with getting a bit of a push from the stride leg and then a good push from the drive leg instead of letting the stride leg just run past and reach out.
The drive leg has to actively push/thrust out. This is made easier, of course, if the core is already over or even slightly in front of the pitching rubber instead of behind it as the legs begin to push.
The more there is a feeling of motion and coordinated effort between the feet, the hips and the rest of the core, the more efficiently and effectively the pitcher will drive forward. That movement creates more energy that can be transferred into the ball.
But if the passenger, i.e., the upper body, is what initiates the drive forward, a ton of energy will be left behind and it will feel like the passenger is dragging the train behind her. Which is as much wasted effort as it sounds.
So if you have a pitcher who is leading with the upper body, try having her picture the train and the passenger. It might be just what she needs to improve her overall drive.
Photo by Pixabay on Pexels.com
I’ve spoken in the past about Rick and Sarah Pauly’s High Performance Pitching courses. They have put together a great series of Beginner, Intermediate and Elite-level online training courses that give professional instructors and bucket parents alike the ability to learn from two of the best in fastpitch softball pitching.
Recently they released a brand new course for the Elite program called “Tips for Making a Ball Move.” (Click on the Elite tab to find it.)
In his usual friendly and accessible way, Rick walks through topics such as what order to learn movement (i.e., non-fastball) pitches, increasing spin rates on pitches and how to be effective with grips. Lots of great information, and best of all it’s FREE!
But there was a three-part set of lessons in there I thought would be particularly helpful for bucket parents. Two of the lessons cover different types of training balls, and the other one talks about other types of gadgets.
I think these are some very valuable lessons for a couple of reasons. One is that we all look at those things hoping to find a shortcut to helping our daughters/players/students pitch more effectively.
As Rick shows his personal collection I felt like a kid again going through baseball cards with my friends – got that, got that, got that, hmmm, that looks interesting. As much as I say I’m not a gadget guy I’ve certainly spent my fair share of money checking things out.
Rick walks through each of them, talking honestly about what he uses regularly and which balls or devices mostly collect dust on his shelf. Before you hit the “submit” button on Amazon or an individual website I highly recommend you check out this series of videos.
The good thing is Rick isn’t really passing judgment on the balls or devices as much as he is sharing his experience. Why that’s important is that while a ball or device may not have worked for him, it might be just the thing you need. After watching the videos you’ll get a better idea of whether they’re worth checking out.
For example, he talks about SpinForm softballs. They are great for helping pitchers learn the curve or rise. But in my experience they’re also great for teaching the overhand throw – especially for a player who tends to get side spin instead of 12-6 spin on her overhand throw.
It’s hard to miss whether the ball is being thrown properly or not, especially if you play catch with someone who does throw properly. That visual helps players figure out what they need to do to improve. If you pair up a pitcher working on her curve with a catcher who needs some spin help it’s a win-win.
And honestly, that’s the thing about these various balls and devices. None of them are necessarily good or bad. Just like drills, using them to achieve success has a lot to do with the coach and the student.
If you have a specific need and use the device properly, it may be valuable to you – even if it wasn’t to me. But if you don’t put in the work with it, or use it as intended, you’re probably going to find it one day covered in dirt and grime when you go to clean out your garage.
The nice thing about Rick’s videos is they give you an unbiased head start on determining whether whatever you’re thinking about purchasing will help solve the issue you’re trying to solve. And again, that course is free so even if you don’t watch the rest of the lessons you can pop in and get what you need.
So before you go off chasing the latest softball device rainbow, give those videos a look. It might just save you a few bucks you can use to pay for your next hotel stay.
P.S. Just FYI, no matter what device or tool you buy, they tend to work better when you use them regularly.
While I am definitely not a big-time gambler, I have always thought that if I wanted to put together a high-stakes poker game where I would have a high chance of winning I would invite the bucket parents of young, preferably beginner, fastpitch softball pitchers.
Not that they have a lot of money available to drop in a game. Lord knows you could buy your own college on what some parents spend trying to get their daughters a scholarship, and even lower-level play can empty a bank account faster than my friends and I could destroy the buffet options at a Pizza Hut.
But whatever money they do have would quickly be mine for one simple reason: their inability to hide their emotions on any sort of regular basis.
I’m sure it doesn’t happen intentionally, but I see it time and again. Their daughter throws a strike and they’re all smiles and excitement, ready to call Patty Gasso to tell her they have her next ticket to the Women’s College World Series punched.
Then the next pitch the ball is in the dirt behind the imaginary batter and they look like they’ve just been told they have to tell John Wick his new dog is dead. Kind of reminds me of this guy:
Well, maybe not quite to that extent. But all the signs are there.
The crestfallen face. The biting of the lower lip. The shoulder slump. The slow walk to retrieve the ball. The pleading in the eyes to “just throw strikes.” Or conversely the unbridled glee when the pitch does what it’s supposed to, like Ralphie and his brother Randy opening presents on Christmas morning.
The thing is I don’t think they’re showing these emotions on purpose. In fact, they probably don’t even know they’re doing it.
But I can see them.
And if I can see them guess who else can?
That’s right, Their daughters, who (in almost all cases) are doing their best to learn this very complicated skill.
Here’s the problem. As a general rule, girls tend to be more focused on pleasing others than boys. And they really want to please their parents.
So if mom or dad inadvertently looks angry, frustrated, disgusted, like their world has ended, etc., it will launch a whole range of emotions accelerated by raging hormones. And at that point, it becomes even more difficult for them to pitch with any semblance of speed and accuracy.
This is an important lesson for every parent (and coach) to learn. I know I had to.
Both of my daughters pitched, and they certainly reacted to however I reacted. I didn’t realize it, however, until I took the ASEP coaching course and they talked about body language and what it tells your team.
It was a real eye-opener for me because I pretty much ticked all the boxes. Hanging Head Syndrome. Heavy Sighs. Banging my hand on the fence when something would go wrong.
I had to work at developing that steely-eyed poker face so that no matter what happened it became a non-event. It wasn’t easy, and I would backslide now and then. But it was worth it.
That’s what I recommend for you bucket parents. Pitching in fastpitch softball is hard. If you don’t believe me, pay close attention in your daughter’s next lesson and then go home and try to do the things she is being asked to do. Then keep in mind she has the body control and fine motor skills of child or adolescent, not an adult.
The best thing you can do for your daughter’s development is to work on your poker face. Learn to control your emotions like a Jedi so that no matter what happens your face, and your body language remains completely neutral.
If you can do that, it will free her to develop her skills guilt-free, which will hasten her improvement considerably. Before you know it you won’t need those abilities because she’ll be performing at a level that makes it a little easier to relax and enjoy the ride.
Don’t worry, though. All that effort you put into hiding your true feelings won’t go to waste. You can instead apply those skills the next time you’re at a tournament and the parents decide a little “adult time” at the local casino is in order. With a little luck you might even be able to cover the weekend’s expense.
Poker photo by Ron Lach on Pexels.com
One of the most common issues among fastpitch pitchers is a tendency to try to add speed to a pitch by forcing it out with a lot of forward effort. You see them get ready to deliver the ball, and suddenly instead of whipping it from back to front and letting go they hang onto the ball and try to purposefully push it out of their throwing hand.
This motion is often accompanied by pushing the throwing side shoulder forward as well. While the intention is to make the pitch faster, it actually ends up having the opposite effect.
In other words, while it may feel strong, it isn’t very effective, biomechanically speaking.
I was facing that very dilemma with a younger student this week, so I came up with a new way to explain what she should do. I’ve since tried it with several with great success (so far).
The way I explained it was in the arm circle there is a point where you have developed all the speed you can get. That point is essentially at the bottom – six o’clock on an analog clock if you’re using the clock face as a visualization device.
Anything that happens after that not only doesn’t contribute to more speed, it actually starts taking away speed. So, since there’s nothing to be gained but much to be lost you might as well just let go right at the bottom, which will be roughly around the back leg.
Putting it this way seems to make sense, probably because it addresses the main reason the pitcher started pushing in the first place – to gain speed. Explaining it hurts their speed instead seems to break through the clutter of ingrained patterns and helps them find their release point.
For the pitchers where I had a radar set up, which was almost all of them, getting the ball out at the right point resulted in an immediate speed increase of 2-3 mph with no additional effort on their part. In fact, for most of them we were just working a drill where they weren’t trying to go all-out, just standing at a 45-degree angle and taking an easy step or medium-speed push.
What was really interesting about it was speed wasn’t the only aspect of their pitches to benefit. Suddenly balls that had been flying all over the place were going straight and low in the strike zone, even though we weren’t focused on accuracy at all.
I did point out the accuracy to the pitchers after a while, however, to give them one more reason not to force the ball forward. Just let it go at the right time, in the right place, and accuracy takes care of itself.
For some pitchers you may need to show them exactly where the ball needs to come out by having them get into their release position, bring the ball from 7:00 to 6:00, and then show them where it should be coming off their thumbs and their fingertips. I did this with one pitcher in particular last night and she immediately improved her speed and accuracy. She thanked me for it, because she said she now understood exactly what she needed to do.
So if you have a pitcher who is struggling to whip and release the ball, and is instead trying to force or push it forward before letting go, give this cue a try. It could be an instant difference-maker.
I have talked in the past about the dangers of the “it’s a natural motion” myth and how it can lead to overuse injuries. A quick search on the term will turn up article after article from orthopedic surgeons who have to deal with the aftermath of overzealous coaches who love to win and enthusiastic parents who just love watching their daughters do what they love.
How common are overuse injuries? While this study of 181 NCAA collegiate pitchers across all divisions is admittedly pretty old, it shows that 70% of the reported injuries were due to overuse. With the increase in the number of games that are now being played at the youth levels of travel ball, starting at 10U or even earlier, plus the even greater emphasis on winning, it’s unlikely this situation has gotten better.
But all of that is pretty abstract. That’s why I wanted to share this Tik Tok video from my friend and fellow pitching coach Gina Furrey, who talks about the overuse injuries she suffered as a pitcher. It is actually the first in a series, so be sure to watch all of them.
Gina currently gives pitching lessons in the Nashville, Tennessee area under the business name Furrey Fastpitch. If you’re in that area and looking for a great coach who will teach you proper mechanics be sure to contact her. You can also find Furrey Fastpitch on Facebook and on Instagram at @furreyfastpitch.
Before that, though, she was a player who played travel ball at the highest levels before going on to pitch at St. Mary-of-the-Woods college. In her first video she describes how she can probably count on one hand the number of games she didn’t pitch for her various teams throughout her career. That’s a LOT of pitching.
She then goes on to tell how her collegiate career was cut short by an injury attributed to overuse – the cumulative effect of thousands of hours practicing and pitching in games, often with very little rest. I don’t want to go into too many details because it’s Gina’s story to tell.
The biggest reason I think every coach and every parent of a pitcher should watch Gina’s videos, however, is to see her demonstrate her range of motion today. When you see what she can do with her non-pitching arm versus her pitching arm it’s pretty scary.
Not to mention the pain she deals with every day. In my opinion, all the plastic trophies and gaudy rings and plaques and championship t-shirts in the world are not worth trading for an ability to move your arm and shoulder in a normal way.
One caveat I’d like to add is that this caution isn’t only limited to pitchers with poor mechanics. Yes, having very clean pitching mechanics can help prevent injury overall, but over use is over use. Repetitive motions, especially high-energy motions that depend on sudden accelerations and decelerations, can take a huge toll on muscles, ligaments, tendons and other body parts.
Do yourself a favor. Please, please, please, watch Gina’s videos and hear her story. It could save you or someone you love a lifetime of pain and limitations that can easily be avoided.