Category Archives: Hitting
Tell me if you’ve seen (or personally experienced) this before. A hitter looks great on the tee. All her mechanics are correct and her movements are correctly sequenced. She’s pounding the ball so hard you’re afraid it’s going to break the back of the cage.
Then you move her into a live hitting situation – doesn’t have to be a full pitch, it could be easy front toss from a short distance – and suddenly that potential game-winning swing all falls apart.
Instead of driving the ball, the hitter is popping up, especially to the opposite field, or hitting weak dribblers back to the pitcher. What the heck happened?
Odds are she’s late getting to the bat to the ball. And no matter how soon she starts, she continues to be late.
You’ve probably heard it said on many occasions that hitting is all about timing. Well, that’s true, but not always in the way you think.
It’s not just about the start time. It’s really about where the hitter’s front foot is when it’s time to swing.
The front foot landing should be the trigger for the swing (i.e., the launch of the hips) to begin. Which means it has to be down on time. If it’s not, there’s no time to execute the rest of the swing and what you’ll end up with is essentially an arm swing, with the body following afterwards.
Ok, you understand this can help when the hitter doesn’t get going on time. But your hitter, if anything, was early and yet she still was behind the actual pitch.
I call this syndrome “early to be late.” What happens is the hitter sees the pitcher go into her motion and she begins her load. Then she realizes she started too early, so she stays back in the loaded position and waits for the pitcher to release the ball.
At that point it’s game over, advantage pitcher. There is simply not going to be enough time to stride/weight shift properly, launch the hips (without the shoulders), turn the shoulders, and bring the bat to the ball.
Getting stuck on the back side during the load is deadly to hitters. What they need to do instead is “bounce off” of it. In other words, they need to “load and go” right away rather than sitting and waiting for the pitch to be thrown.
Ideally, they will adjust their start time to make that happen. But if they can’t break the habit of being early they should learn to eat up the time difference by striding/weight shifting slower to be sure the front foot is down on time so the rest of the swing can be executed.
I’ve personally seen the difference this seemingly slight change makes. Rather than struggling to get to the ball (and feeling overwhelmed, which leads to arm swings), hitters suddenly feel more in command.
They get to that “oh yeah moment,” where the ball looks like a beach ball and they’re ready to jump on it, more consistently. And avoid that “oh crap moment” where they realize right before the swing that nothing good is going to happen.
How do you get there? Same way you get to Carnegie Hall.
Ok, seriously, hitters have to train themselves to overcome their basic instincts to wait on the pitch and start striding/weight shifting, even if they feel like it’s too soon. Once they can get to that point, and see the results, they’ll be more inclined to replace the old habit with a new one.
On the tee, or even at home in a bedroom, have hitters consciously work on their “load and go” mindset. Then do front toss and look for that hesitation.
If they still can’t break the habit, stand in front of them without the ball and go through the motion, encouraging them to get off that back side and start their forward movement at the right time. Then go back to front toss, and finally to full-length pitching.
It may take some time – the mind is a powerful thing, and once it latches onto something it doesn’t always like to let go. But sooner or later a willing hitter can overcome it.
Once she does, she’ll be well on her way to becoming the hitter she wants to be. And that you want her to be.
Baseball legend Ted Williams once said that hitting a baseball is the hardest thing to do in sports. I think it’s safe to say that not only does that statement extend to fastpitch softball, but it may apply even more given that the actual time to read, react to, and hit a pitch is comparable, but the pitchers stand closer and the ball can move both up and down through the zone (where a baseball is always traveling on a downward plane).
The point here, however, isn’t to argue that one is tougher than the other. It’s more to acknowledge that they’re both extremely difficult (as anyone who has ever done it can attest), which means any given at bat can be both exhilarating and frustrating.
That’s the reason why hitters (and their coaches) spend so much time studying the swing, and working on the swing, and sweating all the details. The goal is to create mechanics that enable hitters to get to the ball on time and hit it well and effortlessly when they do make contact.
Yet here’s the thing: while better mechanics definitely help you get to the ball more powerfully and efficiently, mechanics alone are not enough. After all, there are no style points in fastpitch softball. A beautiful swing and miss in a game is still a strike. An ugly swing that results in a fair ball no one catches is still a hit.
So yes, it takes more than good (or great) swing mechanics to be a successful hitter. You also have to have the right mental approach – one than enables you to walk to the plate with cool confidence, knowing that you are prepared to win the battle between the pitcher and you. I like to call it the “gunslinger mentality.”
And what better example of that mindset is there than Val Kilmer’s portrayal of Doc Holliday in the movie Tombstone? In the most tension-ridden situations he brings a sense of cool calm that not only helps him prepare for a possible gunfight but also helps avert the crisis by striking fear into the heart of his adversary.
If you haven’t seen the movie (or if you have and just want to enjoy it again), here’s a good example of Doc at his “I’ve got this situation under control” best:
And yes, the man with the rifle really is a very young (and a bit heavier) Billy Bob Thornton.
Here’s another fun example:
The movie is filled with them. In each you see that it isn’t just his reputed skill with a gun but his attitude that carries the day.
(In reality, incidentally, it’s generally believed that while Doc did have a fast draw he wasn’t exactly an accurate shot. He also killed far fewer men than he let on, probably so he wouldn’t actually have to be tested in a gunfight. But I digress.)
The key takeaway here is the swagger he brings when he walks into a tense situation, like the potential showdown with Johnny Ringo in the second clip. His “I’ve got this” attitude helps him prepare for whatever comes next.
That’s the kind of attitude hitters need to bring to the plate. Rather than worrying about the situation, or how good the pitcher is supposed to be, or whether coaches/parents/teammates will be mad at her if she fails, or any of the other doubts that can creep in when one steps into the batter’s box, hitters instead need to believe in themselves and their abilities.
If they’ve put in the work to develop their swings and learn how to see the ball well, it’s not them who should be worried. It’s the other team.
If you know (or are) a hitter who’s great in the cage but struggles in games, I recommend watching Tombstone, or at least the Doc Holliday clips on YouTube, to see what cool confidence looks like. (The whole movie is great, even if you don’t particularly care for Westerns, so it will be time well spent.)
Then encourage them to adopt a similar attitude as they step into the batter’s box. Stare down that pitcher. Give her a little smile. And finally, swing like they have everything under control. You’ll be amazed at the difference a little swagger can make.
When someone says “it’s time to practice” what’s the first thing that springs to mind? For most of us involved in fastpitch softball the answer is probably grabbing some equipment, running out to a field or facility, and then spending the next 30, 60, or more minutes hard at work (as Paige is doing in the photo above).
While that approach is generally a good thing, it also has a downside (doesn’t everything?). When we’re in that mindset, we tend to think if we can’t do those things (get to a field or facility, spend 30-60 minutes) then we are unable to practice. In fact, “practice” kind of becomes an activity unto itself that requires special effort.
That’s unfortunate because for some players it could mean going a week or more without making any progress to get better. For others, especially those who are trying to learn new skills, it could even mean they get worse, or regress all the way back to step one.
It doesn’t have to be that way, however. Practice doesn’t have to involve going somewhere or making a special effort. And it certainly doesn’t have to be tied to a set amount of time.
Working on fastpitch softball skills anytime, anywhere, for any length of time can help players get better (or at least maintain their gains) versus doing nothing at all. The key is for players to know what they need to focus on and work those movements.
Take pitching, for example. Perhaps a player is having a tough time learning to relax the arm in the circle so she can whip the hand through at the end. In a full practice session with a catcher, she may be too focused on throwing strikes – double if the catcher is her dad. in that case she may continue to lock out the elbow and “guide” the ball to the plate.
But at home in her bedroom, or standing outside waiting for the bus, or marching through the house she can make arm circles and focus on staying relaxed throughout. No ball, field, facility, or catcher required. Learning to make the proper arm movement will help her know what it feels like when she’s actually pitching so she can carry the improvement forward there.
She doesn’t need to spend a half hour doing it either. If she takes 5 or 10 minutes it will help. Do that three random times during the day and she’ll have put in 15-30 minutes without even realizing it.
The same goes for hitters. Maybe the hitter is having trouble learning to lead with her hips, or is having a problem with barring out her front arm during the swing. She can practice the correct movements wherever she happens to be standing, whenever she has the chance.
The more she makes those movements the more natural they will become – and the easier they will be to execute when she’s actually up to bat.
Practicing in small increments may even have some benefits over longer sessions, especially if the longer sessions are focused on one thing. It’s similar to block practice v randomized practice.
In block practice you focus on one thing for a long time. With randomized practice you don’t linger on a single skill for any length of time. You essentially go from skill to skill. Studies have shown that the skills transfer better in game situations when practice is more randomized, at least in part because you get too used to doing the same thing over and over – an opportunity you don’t have in a game.
The other benefit to the shorter sessions in random locations is it lets players concentrate on the specific movements they need to improve on rather than the outcomes of those movements. And as we all know, in the end if you do the right things in the right way the outcomes will take care of themselves.
This isn’t to say longer, more formal practice sessions aren’t necessary. They absolutely are. But they’re not the only way to practice.
Taking advantage of whatever time and space is available is a great way to ensure players continue to improve. And it definitely beats using “I don’t have the time/I can’t get to the field or gym” as an excuse to do nothing.
Most fastpitch softball (and baseball for that matter) hitting coaches agree that tee work is one of the most valuable ways hitters can spend their time. By taking the element of a moving ball out of the equation hitters can focus on developing the mechanics that will enable them to hit the ball harder, farther, at better launch angle, and with more consistency rather than simply trying to “make contact.”
The typical tee is great for simulating pitches from just above the knees up to the armpits on all but those on the most extreme ends of the height spectrum. But what about those extra low pitches that umpire strike zones sometimes dictate hitters must be able to cover?
Without understanding the adjustments that need to be made on shin-high, or just-below-the-knee pitches, hitters will be more likely to swing over the top of the ball resulting in a sinking line drive or a weak grounder. Which, of course, is exactly the result pitchers (and whoever is calling pitches) are hoping for when they throw it there in the first place.
This is where the Jugs Short T is such a great addition to your hitting toolbox. Built with the same durable construction and materials as the regular Jugs T, which was previously reviewed here, the Short T makes it easy to get quality reps going after those pesky low pitches.
Getting down to it
The advantage of the Short T is that it can go as low as 16 inches off the ground, then extend up to 23 inches. (The standard Jugs T starts at 24 inches high.) That should cover the bottom of the zone (and then some) for just about any hitter.
The base is the same as that used for the standard Jugs T, which means if you’re tight on space and don’t mind putting in a little extra effort you can carry one base and two tee heights. They also sell a combo kit with both heights if you are so inclined.
The base itself is heavy enough to keep from getting knocked over even by strong hitters who swing under the ball – no need to carry an extra weight around. It also has a convenient carrying handle built in, making it easy to move from a shed, locker, car, etc. to wherever you plan to hit.
The tee section itself is solid enough to hold its height even after repeated use, yet still slides up and down easily. I’ve had my standard Jugs T for several years now and it holds as well as it did the day I got it – unlike some tees that eventually start sinking the minute you put a ball on them.
You can use it with multiple hitters, day after day, with no worries that it will lose its solid performance over time.
While the primary reason anyone would purchase the Short T is to work on low pitches, it can also be used to address another issue that is common with fastpitch softball hitters – the desire to stand up straight as they make contact.
Part of that habit, I’m sure, is driven by well-meaning but poorly informed coaches who instruct their hitters to “swing level” or “keep your shoulders level.” That’s just not how good hitters hit. Instead, they tend to have a shoulder angle that tilts in toward the ball.
Or it could just be that they got into the habit of standing up straight and never learned anything different. No matter the cause, the desire to finish standing up with shoulders level is a problem.
When you think about how little surface of the bat and ball contact each other, even a deviation of an inch – say from starting to stand up, which pulls the bat up – can have a significant effect on the outcome of the swing. Demonstrate you can’t hit the low pitch well and you will see a steady diet of dropballs and low fastballs for the rest of the game – especially if you’re a big hitter.
A phrase I like to use is “get on it and stay on it.” In other words, adjust to the pitch and then stay there. The Jugs Short T helps train that behavior by forcing hitters to go lower and stay down. If they try to stand up as they swing they will either miss completely or just tap the ball.
That’s what Grace Bradley, a powerful hitter in her own right, is working on in this video.
She is building a pattern where she can go down and dig the ball out to get the kind of launch angle that helps create her high OPS.
After a few practice swings on the Jugs Short T we switched to front toss and she was digging out even the ankle-high stuff for line drives that move base runners and let her trot rather than sprint around the bases.
That’s bad news for pitchers too. Because if they can’t throw you high, and they can’t throw you low, you’re going to be an awfully tough out.
Worth the money
Whether you (or your team if you’re a coach) is struggling with the low pitch or you just want to train your hitters to adjust better overall, at $75 to $80 retail the Jugs Short T is a great investment. It will help you create better hitters this year. And for many years to come.
The once-funny and now just more generally creepy comedian and filmmaker Woody Allen has been quoted as saying “80% of success is just showing up” or something to that effect.
While most times ol’ Woody isn’t the person you want to take advice from in anything having to do with kids, in this statement he is most definitely correct. Especially when it comes to the early stages of learning fastpitch softball skills.
Let’s take hitting for example. Hitting even a decently fast pitch in fastpitch softball requires a series of movements that must be performed correctly individually, sequenced correctly, and timed correctly. Some of those movements and sequences aren’t necessarily intuitive.
Since the object of the skill is to hit the ball with the bat, it’s easy for young hitters to assume that they should focus on taking the bat to the ball first. If their body turns afterward, so much the better.
But that’s actually the opposite of what they should be doing. The proper sequence is hips-shoulders-bat. A good instructor will teach that sequence, which not only maximizes power but the time the hitter has to see the ball before committing to the swing and the ability to hit the ball in the proper zone.
If that young hitter who’s still learning only comes to lessons once every few weeks, however, there’s a very good chance she will forget all about the proper sequence and spend her time practicing a bat-first swing. Then her distraught parents will wonder why they’re paying all this money for lessons and not getting better.
It becomes even more important with windmill pitching because in my opinion there is so much that can go wrong – and failure is more obvious. If you have a bad swing but still manage to make contact with the bat you can get on base.
But if you’re not throwing strikes, or you’re throwing easy-to-hit strikes, you’re going to have a tough day. As I tell my students, the circle looks bright and shiny from the outside, but it can be a cold, dark place on the inside.
Again, with windmill pitching some of the movements aren’t necessarily intuitive. If they were, you’d see more rec league pitchers using good form.
But instead, most untrained pitchers tend to stay facing forward, take a short step off the pitching rubber, and proceed to push/guide the ball toward the plate. THAT is what feels natural and intuitive. But it’s not what great pitchers do.
If a newbie pitcher only goes to lessons now and then and then gets put into a game before she’s ready, she will likely find herself like Luke Skywalker in the cave on Dagobah.
To really get the maximum value out of lessons in the early stages, it’s important to receive consistent training. That’s because you’re setting the foundation for all that is to come.
My recommendation is once per week – no more, no less – although you can do it going every other week if necessary. It will just likely take a bit longer to get where you want to go.
That regularity – and the short time between reviews by the instructor – helps keep players from veering too far off the path to success. It’s easier to do a reset when the training is consistent.
Going sporadically, however, gives the illusion of training without the benefits. Too much can go wrong in the meantime, and we all know it’s a lot easier to develop bad habits than to break them.
Instruction always works better when you apply it properly. In the early stages especially, that requires consistency. Make the commitment, even when it’s challenging, and you’ll see the rewards a whole lot faster.
Every week I receive an email that links to pieces of instructional videos for fastpitch softball. And almost every week I end up shaking my head at what I see in them – especially because the company that sends the videos out is charging people good money for such poor instruction.
This week held yet another perfect example. A college coach (from a big name D1 school as I recall) was talking about flaws in loading when hitting. He had a young player, maybe 12U or 14U, there with him helping him demonstrate.
And what was his big advice? Don’t let the head and the front foot move in the same direction at the same time during the “load.’
First of all, he seems to be confused between the load and stride. He kept saying load but most of the discussion was about the stride. So he might want to check that out first.
But regardless of the terminology, he was basically saying that the front foot should move first, then the head should follow afterward. All I could think was “that poor girl.”
Let’s see if this coach’s advice passes the evidence test. Here’s a video of some MLB hitters taken from the side. Watch them as they stride and see if their head moves with the foot or not.
If the camera is steady you can place your cursor on the hitter’s head and see if the head stays there. If not, compare the head position to the background throughout the stride.
What do you see? I know what I see. The head and the center of gravity are moving forward as these hitters stride.
Of course, maybe these are just extraordinary athletes. And they’re men. So let’s look at former Michigan star Sierra Romero, who did pretty well for herself this year with the NPF’s USSSA Pride. Advance the video to about 2:14 to see the stride, and again what do you see her head doing as her front foot moves forward?
The point here isn’t to take on the specific video I watched, although hopefully by now you’re ready to disregard that particular piece of advice. It’s more to say that parents and players should be careful about what they accept as good instruction.
You would think a college coach, presumably a hitting coach, would understand the swing and how it works. But clearly that isn’t necessarily true.
It’s the same thing with taking advice from a former player because she was/is a star in college, or high school. Often times players and former players just repeat what they were told when they were growing up, even if it’s not what they actually did/do, because they haven’t put the time in to study the mechanics.
The best thing you can do is educate yourself. Before you blindly accept advice or training from anyone – and that includes me, by the way – take what they’re saying and see if that’s what the top current players do. If not, you should find someone who will teach you those mechanics and approaches.
Hitting is easier to compare, because you not only have top college, NPF, and National Team players to compare what’s said to what’s done, but you also have MLB hitters. Hitting is hitting after all, and anyone who tells you softball has a different swing needs to throw out their VHS tapes and at least buy a DVD or two from this millennium.
Or there’s this new thing out called YouTube that all the kids are talking about. Maybe those instructors want to check it out.
The hitting exception is slapping. They don’t do that in MLB, so you’ll need to look at softball only.
The same goes for pitching, because videos of MLB players will be of little use. But there’s plenty of good video of top pitchers in game action, which is where you want to check them out. See what makes them successful in games and compare that to what you’re being told. Here’s a good starting point for you.
Catching, fielding, throwing, base running, all of those are similar skills between fastpitch softball and baseball, so you have plenty of source material there. Sure, there are nuances, mostly driven by the difference in the length of the basepaths and size of the field overall, but anyone with even a little experience watching both should be able to adjust for that.
It’s easy to buy into a reputation, or a great set of credentials. But neither of those will help you on the field.
Be a smart consumer. Make sure what you’re being taught, no matter who is teaching it, matches up with what great players do. Otherwise, save your money on lessons or DVDs until you’ve confirmed your investment will take you where you need to go.
Being a coach sometimes can feel like you’re stuck in the movie Groundhog Day. You offer a correction, the player makes it for a repetition or two, then goes back to what she was doing before. So you offer the correction again and the cycle repeats.
This pattern particularly shows up with younger players, but it can happen to anyone anytime. Obviously, two good repetitions followed by a few incorrect ones isn’t going to get anyone anywhere.
So how do you provide a little extra incentive to focus on doing it right every time? This is where taking advantage of the competitive nature of fastpitch softball players can come in handy.
Fastpitch softball is a tough sport full of difficulties and disappointments, so players really have to have some competitive fire to keep going with it. They also have to love a challenge. As soon as you press the “compete” button you almost always have their full and undivided attention.
One way I’ve done this is to borrow from the playground basketball game of HORSE. You know the one. You take a shot, then the player after you has to take the same shot. If he/she doesn’t make it, he/she gets a letter. You keep going until only one player hasn’t spelled out HORSE.
For Katie, the girl in the photo at the top of the post, the challenge was getting her to bring her back leg into her front leg to finish the pitch. She had the very common tendency of throwing the front leg out without using the back leg. As a result, the back leg was more of an anchor dragging behind her and cutting back on her speed and accuracy.
So I challenged her to a game of HORSE. The rules were simple. If her back leg finished by closing into her front leg (more or less) no letter was assigned. If, however, she finished with her legs spread apart (which usually caused her to bend forward as well) she received a letter.
Once we established those simple rules, it was game on! Suddenly, instead of the Groundhog Day loop of me telling her to finish, she was more on top of it. She still ended up getting an H-O, as I recall, but that was all in the 10 minutes we spent on it.
That was pretty good improvement, because it meant in all the pitches she threw she only failed twice. More importantly, rather than me telling her to fix the issue she was now dedicated to fixing it herself – because she didn’t want to lose the game!
I knew it really got through to her, though, when at her next lesson she asked if we could play HORSE again. I think she wanted to play because she knew she could win; she’d worked on it between lessons to gain the advantage.
But that’s ok with me – I want her to win, because then she’s improving her mechanics and using her body more effectively. By the way, there was no prize for winning or avoiding getting HORSE, although there certainly could’ve been. The game simply appealed to her competitive nature and got her attention.
In reality, this is a game/technique you can use to drive improvement for all kinds of techniques. Have a hitter who is dropping her hands or swinging bat-first? Play HORSE.
Have a fielder who isn’t getting her glove down on ground balls, or a catcher who isn’t keeping her glove on the ground while blocking? Play HORSE.
(I’m not just saying this to you, by the way. I am also making this as notes to myself, as I am definitely under-utilizing this idea.)
The one thing I would caution is focus the game on the process/skills, not the results. So use it to help a first baseman learn to scoop a ball in the dirt properly, but not to keep track of whether she actually got it or not. Or use it to help a hitter learn to swing hips-first rather than giving her a letter if she swings and misses.
If she learns the skill, the results will take care of themselves. But if you focus on the outcomes, you won’t drive the skills. Instead, you’ll probably reinforce bad habits as the player tries to avoid the error/failure instead of learning and internalizing the technique.
In any case, if you find yourself in a Groundhog Day-like loop, give HORSE a try. And if you do, or you’ve done the same thing yourself, let me know how it works for you in the comments below.
This is a proposal I think has been a long time coming, and one that is sure to be cheered by every lefty slapper and her parents. It’s a new stat that helps measure the effectiveness of slappers at doing their job – getting on base.
The problem slappers have always had with the current scoring system is that it doesn’t accurately reflect their ability to get on base. Under the current system, if a slapper reaches base every at bat by hitting the ball in a way that it bounces off the shortstop’s or third baseman’s glove each time, and that contact is scored as an error, her batting average and on-base percentage will be .000.
That’s correct. It’s .000. That just doesn’t seem right.
Reaching base on an error doesn’t help either statistic. So when you’re looking at who should be where in the lineup, and using stats to make your decision (as so many coaches are wont to do these days), that poor slapper doesn’t show very well.
That’s why I’m proposing a new stat called GOBA – Got On Base Anyway. GOBA would count the number of times the slapper reached based because she hit a ball that was too tough to handle and either beat the throw or there was no throw.
Think about it in terms of our poor girl with a BA and OPB of .000. If you look at her GOBA, it would be 1.000. That tells you she belongs at the top of the lineup rather than lurking somewhere in the low-middle.
You want her getting more at bats because she gets on base. Every. Single. Time.
Now, there would have to be some training and qualifications to make GOBA work. For example, everything a slapper hits doesn’t count as GOBA, otherwise the stat is useless. For example, if she hits a soft ground ball or easy popup that should have been fielded for an out with normal effort, it’s still an out.
With a hard ground ball, especially to the side, a little more judgment would be involved. But still. What you’d be looking for is those contacts that would have been an out with anyone else, but ended up with the hitter on base due to her speed.
In other words, even if a fielder had a little trouble once the ball in was play a right-handed hitter, or a lefty with normal speed, would have been out. But this particular hitter, as a result of the wonders of slapping, managed to be safe. She Got On Base Anyway.
What do you think? Does this idea have merit? Would it make for a more fair assessment of the effectiveness of slappers than simply relying on BA and OBP? If so, let’s get a movement going!
No matter which side you’re on, if you have some thoughts about this idea leave them in the comments below. Just remember to be kind to others.
While the ready availability of modern technology (think: screens) has given us many marvelous advantages, it has also created some issues. One of the most profound is our increasingly short attention span.
You see it all the time – especially us coaches as we try to explain something important to our players even as we watch their eyes glaze over or pay attention to everything but us after about a minute. (Still, we persist in talking for 10, 15, 20 minutes anyway, especially if we just lost a game.)
That’s bad enough, because of course we’re imparting not just tremendous softball instruction but also life wisdom. 🙂 But where this short attention span can really hurt players is in how they track the ball during the game.
Often it seems like player tend to view the ball (and make decisions) based on a point in time. It’s like their brains take a photograph of where the ball is at a particular moment, then their movements and reactions are based on what they see in that moment.
The problem, of course, is that one point in time doesn’t give us enough information about what will happen going forward. For example, a photo of a player diving for a ball doesn’t necessarily tell us whether she successfully made the catch or not.
The ball may be in her glove, but will it stay there?
What they need instead is to take more of a video approach, i.e., see the flight of the ball as a series of points moving through space. (For those who don’t know, video is made up of a series of individual photos that play rapidly in succession, creating the illusion of motion. You learned something today.)
This “photographic” approach to seeing where the ball is going hurts several areas. Take catchers, for example.
They see the ball is going down and will need to be blocked. But they don’t wait long enough to see the flight of the ball in space, they just react to wherever it is 10 feet in front of the pitcher.
So they drop to block, only to watch the ball careen past their right shoulders. A little more information and they could’ve centered their bodies on the flight of the ball. Instead, it gets by and a run scores.
Hitters also need that type of spatial information. In fact, they need to track the ball as long as they can to get a feel for whether it will be inside or outside, high or low, and whether it may have some movement to it. All of that information can have a huge impact on when they bring the bat to the ball as well as where they take it to.
If they just take a mental photo they’re unlikely to take the bat to where it needs to go unless they’ve been specifically trained to recognize the ball’s flight earlier. But by tracking the ball through space the way they would watch it come in on video, hitters can make the adjustments they need to achieve greater success.
This principle also applies to fielding ground balls and fly balls. Ground balls can take detours due to field conditions (rock, divots, a lost helmet) and fly balls can go all over the place due to spin and wind. Using a “mental photo” to judge where they’re headed, and then checking out, is a fast track to an error. Seeing the whole travel of the ball, including where it’s going, will be much more effective.
Yes, in our short attention span theater world it gets increasingly difficult for players to learn to focus for more than a few seconds at a time. But if they can learn to watch the video instead of looking at the photo, they’ll be a lot more successful.
Ok, before anyone gets their undies in a grundy, I’m not calling players name or saying this fastpitch hitting drill is only for stupid people. It’s merely a device I’m using to make what could otherwise be boring a little more fun.
The purpose of the drill is to teach hitters to lead with their hips, then release the hands. All too often hitters will either start the swing with their hands, or will start with their hips but then let the hands take over too early.
Ideally, you’ll want a sequence of hips-shoulders-bat/hands, where the hips start a powerful rotation, then you add on the shoulders, then you finally get the hands involved. When you go in that order you use the big muscles to develop more power and batspeed so when you do make contact you hit the ball harder/farther.
Going hips-first also gives the hitter more time to see the ball before she commits, enables a shorter swing to the ball, and puts the bat into the green zone at contact. Lots of great reasons to go hips-first.
While that may be easy to say it can be tougher to execute. You want to hit the ball with the bat, and the bat is held in the hands, so for many hitters (especially young ones) it makes more sense to lead with the bat. They may try to hold it back, but it’s just so tempting.
So I came up with the “dummkopf drill.” Here’s how it works:
The reason for the name of the drill is it’s based on WWII movies where one of the German soldiers is asked a question, answers it, and then is slapped in the head and called “dummkopf” by his superior. (SIDE NOTE: All the German I know comes from WWII movies, so it’s a pretty limited vocabulary. And not very useful in everyday conversation unless I were to find myself in a WWII prison camp.)
In this case, there were two purposes. One was to get the sequence right. The other was to help Abbey, who is pictured here, get the feeling of transferring her weight into the front leg instead of spinning on the back leg. As you can see, it accomplished both missions.
We could have done the drill without adding the callout “dummkopf” at the end. But it wouldn’t be as much fun. Using the word also helped her focus more on the point of contact, since she was trying to slap the rubber part of the tee upside its virtual head.
So if you have a hitter who is having trouble leading with her hips instead of her bat, give this one a try. And be sure to leave a comment below letting me know how it goes.