When I have a young student who is having difficulty making the transition from close-up drills to full-distance (or nearly full distance) pitching, I will often tell her to close her eyes and picture that she is still throwing into the screen, net, tarp, backstop or whatever else we were just using. By taking the distraction of how far away the plate is she is then able to focus on the only end she can control – the end she is on.
It is amazing how often that works. Which is why, by the way, I am always amused at coaches who yell at catchers to “give her a bigger target” when the pitcher is having control trouble. I want to yell back “the catcher isn’t the problem; right now your pitcher couldn’t hit an archery target.”
But there is another side to this story. A pitcher’s eyes can be an important contributor to improving her mechanics if she learns how to use them correctly. That doesn’t mean staring down the target with a laser-like focus, however.
To the contrary, it often means doing the opposite, i.e., looking away from where she’s throwing to help her see what she can’t feel right now. Many of us our visual learners, and being able to see what we’re trying to do can help us get there faster and more effectively.
Here’s a good example. Many pitchers are taught that they should turn the ball toward second base at the top of the circle and have the hand on top of the ball as they come down the back side of the circle. That’s just flat-out wrong as you will see if you watch videos of what elite-level pitchers do.
But after months or years of drilling from the “T” position (both arms outstretched completely from the shoulders) with their hands facing down it can be a tough habit to break. They may be trying to keep the hand under the ball at 3:00 and pull it down into release, but they are unaware that they are first turning it over to start the motion.
Here’s where the eyes come in. From the “W” position (arms again outstretched, but this time with the hands shoulder-high and the elbows bent below to form a sort of W) have her turn her head back and watch her hand as she begins the throw. That way she can see immediately whether her hand turns over so she can learn to stop doing it.
Placing the focus of her vision on her hand also places the focus of her mind on staying palm-up, which helps shorten that learning curve. Once she starts down that way she is likely to stay that way into release, or at least close to it. If necessary she can always watch her hand all the way down.
If you do it from a short distance into a net or fence (instead of throwing to a catcher) you take out any concerns about accuracy which again lets her concentrate on the movement. Of course, if she gets the movement right her accuracy will improve anyway so it’s a win-win.
Another way to use the eyes in a creative way is with pitchers who are having trouble going straight down the power line. They launch out and end up either way to the right or way to the left, neither of which is conducive to great pitching.
If you’re using a pitching mat that already has a line in it, or you’ve drawn a power line in the dirt outdoors, have your pitcher look at the line instead of at the catcher.
Remember that one of the big reasons for going down the power line is so the pitcher can throw the ball where she is supposed to instead of going all over the place. By using her eyes to go down the line you just might find that her accuracy improves even though she’s not looking at the target at all.
This is much the same principle you’re supposed to use in bowling, incidentally. Great bowlers don’t look at the pins. They look at those little arrows on the lanes and try to throw the ball there. (I can hear some of you already saying “Oh, THAT’S what those arrows are for.”)
They know if they get the ball in just the right place on the arrows, the far end (where the pins are) will take care of itself. So it is with pitchers and the power line.
Mirrors (or any reflective surface such as a window) can also be very helpful in correcting pitching issues. Do you have a pitcher who struggles to maintain good left-right posture at release (i.e., she leans out to her throwing-hand side)?
Put a vertical line on a mirror with masking or painter’s tape, have the pitcher line her center up with it, and then have her throw a rolled up pair of socks or a Nerf ball into the mirror. As she gets to release, she should see whether she is vertical or leaning out to the side. A few dozen repetitions should have her feeling when she has good posture and when she is leaning.
The mirror is also a great way to see if her hips are remaining stacked up under her shoulders or if she is clearing space to the side or making a “monkey butt” move. If the hips aren’t stacked up under the shoulders and turned in 45 degrees or so to the plate it’s difficult if not impossible to get a brush trigger.
By checking her hip position in the mirror, the pitcher can make sure she has the optimal posture to deliver the ball with the greatest velocity and accuracy.
These are just a few examples. The key takeaway is that the pitcher’s eyes don’t have to be locked on to the catcher’s glove or some other target to be effective.
If she is having trouble learning a move, apply visual learning principles and have her use her eyes to see what she needs to do and whether she’s actually doing it. It can make all the difference in the world.
And if you’ve had a pitcher use her eyes to watch a part of the pitch to make a correction please be sure to share what you did in the comments below so the rest of us can learn.
Main image by Dhyamis Kleber on Pexels.com
One of the common flaws you will see even in otherwise strong pitchers is a tendency to stick their butts out toward first base (right handed pitcher) or third base (left handed pitcher) after they land. I call it monkey butt, since that’s how many primates “present,” while Rick Pauly calls it the “ninja” position.
No matter what you call it, what you end up with is a posture issue where the shoulders are not stacked up on top of the hips. Instead, the hips are cleared out of the way so the arm can come through the release zone unimpeded rather than making brush contact.
You can tell pitchers they need to stay stacked, hips under shoulders, but they can’t always feel what that means. In other words, they don’t realize they are sticking their butts back; that makes it pretty tough to correct.
One description I’ve heard of how to encourage them to keep the hips under the shoulder is to imagine cracking a walnut between the butt cheeks. If you do that, you will tend to bring the hips/butt in rather than sticking it out.
The problem with that is younger pitchers in particular may not have much experience cracking a walnut with their hands. So while they may nod and say ok, they may not quite be able to understand what you actually want them to do or how much pressure they need to apply.
The other night, however, I found a good cue that not only relates to a fairly common human experience; it also has the benefit of being one of those funny things you don’t ordinarily talk about, especially in a pitching lesson. It feels like you’re conspiring on a secret.
What I told a couple of pitchers with this issue was “Imagine you have a little gas getting ready to come out, but you don’t want to let it out. As you land, do what you need to do to hold it in.”
The pitchers immediately got the concept, and went from monkey butt to upright posture immediately.
I won’t say it’s a miracle cure. After a while they would get back into monkey butt position again. But by saying “hold the gas in” they’d immediately get back to better posture. I expect as they gain more experience they will learn to get the right position automatically – just like anything else.
If you have a pitcher who just can’t seem to avoid pushing her hips/butt back, give this cue a try. You may get some strange looks at first, but I’m pretty sure you’ll get the results you’re looking for quickly.