Category Archives: Pitching
Weather Outside Frightful? You Can Still Practice Part 1
In my part of the world we are currently at the time of year when the weather outside is, as the song says, frightful. Cold, snow, high winds, icy ground, and more make going from the house to the car, much less trying to pitch, hit, field, etc., a rather unpleasant experience.
In other parts of the world you may be facing monsoons, or at least a rainy season that has turned everything to mud, dust/sand storms that make it hard to see your glove in front of your face (if that’s your idea of a good time), or other weather phenomena that make outdoor practice time a no-go fo a while.
Sure, you can go to an indoor facility where it’s warm (or semi-warm at least) dry, and reasonably well-lit. But that means there has to be one available in your area, paying a fee (which not all can afford), and having transportation to it – none of which is a given.
So does that mean you have an excuse to skip practicing entirely until the days start getting warmer/drier/less frightful and spend all your time watching Tik Tok videos or sending Snaps between your friends or whatever it is you spend your free time on? I’m not judging.
No, it doesn’t mean that at all. Hate to break it to you but there are plenty of ways to practice that don’t require a facility, or even fastpitch softball equipment.
A lot of these activities actually help break down the skills and let you focus on areas in which you’re weak. You know the kind of things you hate doing when you drag your way all the way to a training facility where you’re paying good money for cage time.
But think of it this way: if you put in the time now to work on these details, you’ll be that much further ahead when it’s time to take the field next spring.
Over the next few weeks we’ll look at options for at-home practice broken down by position or skills. Today, we’re starting with…
Pitching
- Brush contact and wrist pronation– If you’ve been paying attention at all you know you need brush contact that creates pronation (inward turning) of the wrist, not a forced upward wrist snap, to deliver the highest level of energy into the ball in order to maximize speed. But if you were taught to do wrist snap drills, either standing three feet in front of a cager and forcibly snapping or kneeling on one knee in front of a catcher or wall, putting your arm behind the other leg snapping from there, you know how hard it can be to retrain yourself to pronate. Here’s where a rolled-up pair of socks is your friend. Put those socks in your throwing hand, pull your lower arm back a bit while turning the palm of your hand outward, then let your hand and forearm come forward rapidly, brushing lightly against your hip while allowing (not forcing) your hand and wrist to turn inward. Do it over and over until it feels natural, then move further up the back side of the circle, and keep working your way back until you can make a full circle. The nice thing here is you can throw the socks into any wall in the house, or even a mirror, without doing any damage.
- Leg drive force – This is another thing that almost every pitcher can use more of. Yet most don’t focus on it as much as they should. But it’s another thing you can do at home. All you need is about 8-10 feet of space and a floor where you won’t slip, such as a concrete floor in a basement or garage or even a rec center. Take all the leg drive drills your coach has given you and do them without throwing. You can start by not using a throwing motion at all, then add a motion (but no ball) to it. Then take your rolled-up pair of socks and add them into the mix too. Keep working on maximizing how you’re using your legs, and how you’re stopping yourself, until you feel like you’re flying rapidly and weightlessly forward then stopping suddenly. Focus more on speed of movement than distance.
- Leg drive timing – One of the most important checkpoints for pitching speed is what happens with your drive foot when your arms are at 3:00, i.e., straight out in front of you. It should be detaching from the pitching rubber at that time. If it’s not, home-based practice is the perfect time to work on it. I recommend setting up your phone to record video so you can see if you’re getting off the rubber on time, because if you could feel it you’d already be doing it. Usually this problem occurs when you lead with your hands/arms instead of your legs/hips. So to address it, put your hands/arms behind your back and work on driving out with just your legs. Do that hundreds of times to get the feel of starting with your legs/hips, then slowly start adding your arms back in, stopping at 3:00 first, then 12:00, then all the way around. Check the video to make sure you’re doing it correctly and don’t move on until you can nail it every time at that point. Finally, add in the socks to make sure you can maintain the timing while actually throwing.
- Elbow bend – I know some of you were actually taught to make your arm long and straight, and then push the ball palm-down on the back side of the circle. But that’s not the way high-level pitchers pitch – even those who were taught (or teach others) to do it that way. Instead, you need to keep the ball facing either upward or slightly out to the side, and get some bend (flexion) in your elbow so that when you come into the release zone you can whip the forearm past the upper arm (humerus) in a series of decelerations and accelerations. It is one of the toughest corrections to make, but f you can’t do it you’ll never maximize your speed. To relearn this movement start by placing the little finger-side edge of your hand against a wall and then move around the circle keeping that edge against the wall until your forearm is forced to pronate naturally near the bottom of the circle. Rinse and repeat, being sure to keep your arm relaxed. Then move away from the wall, stand with your feet at 45 degrees to your “target” and take something that weighs around 16 oz. (a plyo ball is preferred but a can of green beans works too) and SLOWLY move your arm around the circle, paying attention to whether you can feel the bend. Be sure to keep your shoulders from moving forward as you start to pull the ball (or green beans) down the back side of the circle. Check yourself with video. The OnForm app can be helpful here, because ir will actually measure how much elbow bend you’re getting. It should be roughly 20-30 degrees as you get to about 8:00, although your results may vary depending on your motor preferences. Then get rid of the weight and use a faster throwing motion. Finally, start throwing the socks and again check with video to see if you’re maintaining the bend. If not, go back to the last step where you COULD keep the bend and work more from there before trying it again.
- Spins – For this one you’ll need a little more room and a foam ball. A regular Jugs Lite Flite softball will work for pretty much anything. An EZ Riseball is a great choice for the rise or curve. And no, I’m not getting any promotional consideration for either. Take your choice of ball and work up-close into a net or a tarp. You may want to mark the seams of the Lite Flite with a Sharpie marker to make it easier to see the spin direction or spin axis (whichever you prefer). Spending time on the spins at home will save you time during lessons or practice later, and will help ensure you’re getting the movement you’re looking for when it’s time to pitch to live hitters.
So there you go – 5 ideas of what to do to either correct pitching issues or enhance pitching performance. Next week we look at what hitters can do in the same situation.
Snowstorm photo by Jeffrey Czum on Pexels.com
How “Garbage Time” Can Become Your Treasure
There is an old saying that states “One person’s trash is another person’s treasure.” (Actually it says “one man’s” but I have updated it for the modern era. You’re welcome.)
This concept definitely applies to softball, especially if you are one of those players who is struggling to get playing time at a particular position so you can prove what you can do. It all revolves around what football fans call “garbage time.”
The term “garbage time” typically refers to a point in the fourth quarter where one time is so far ahead the other team has no chance to catch up, but there are still several minutes left to play. That’s usually where you will see the second string quarterback (as well as other bench players) take the field to run out the clock while keeping the starters from suffering a stupid injury.
The softball equivalent would be a game where one team is clearly over-matched, down by several runs, and there is a time limit. It’s clear the team that’s down isn’t going to be able to overcome the deficit in time but they have to keep playing anyway.
Here’s how you can turn this unfortunate situation into an opportunity.
Let’s say you’re the third or fourth pitcher on your team. You started the fall season kind of rough but have been working hard over the offseason and have improved your pitching considerably over the last few months.
Now that it’s summer you’re eager to prove what you can do, but your coach still thinks of you as you were back in the fall and is reluctant to put you in to pitch.
So suggest to your coach that you will take all the “garbage time” innings you can get. (Although you may not want to refer to them as “garbage time.”)
Frame in the context of helping the team: The team still has to play, but why waste one of the “good” pitchers on meaningless innings? Wouldn’t it be better to save them for a game where you have a better chance of winning?
That logic should make sense to most coaches – at least the ones who are honest with themselves. Worst case you go out there and give up a bunch of runs and the game ends early due to the run-ahead rule.
Embarrassing, sure, but does it really matter if you lose by 7 runs or 10 runs? And if you do get run ruled your team gets a little extra time to rest, relax, and reset before having to play their next game.
But you’re not actually planning to give up any runs. In fact, your plan is to show the coach that you’re ready to pitch by holding your own against a team that was beating up on your #1 or #2 pitcher.
Do that a couple of times and your coach may start to look at you differently. Perhaps he/she will let you start or relieve in a pool play or “friendly” game where the outcome isn’t already decided.
Do well there and he/she may start giving you more opportunities, and eventually turn to you as a regular member of the staff instead of the pitcher of last resort.
All because you volunteered to eat up the innings no one else really wanted.
While this strategy probably works best for pitchers, it can be applied to other positions as well. After all, field players need a break from time to time too, especially if they’re already nursing injuries or you’ve been playing a lot of games either in one day or on back-to-back days.
And who knows? Maybe your eagerness and positive attitude can spur the team to keep fighting and do better even when it feels like all hope is lost.
In the right conditions it just takes one spark to light a major fire. You could be that spark.
It’s said that luck doesn’t just happen; we make our own luck. Volunteering for “garbage time” is a way to make your own luck – and turn what looks like trash into your own personal treasure.
Gold bars photo by Pixabay on Pexels.com
Helping Pitchers Transition from 10U to 12U
Ask just about anyone who has gone through the full softball journey and they will probably tell you that the toughest transition is going from playing 10U to 12U (or 11U for those who like to talk in one-year increments). While it is challenging for all players, with new rules to keep in mind, greater disparities in size and strength due to the puberty fairy touching some earlier than others, and a generally higher level of play and expectations, nowhere is it harder than on pitchers.
The reason, of course, is two key rule changes that can have a huge effect on pitcher success: 1) the size of the ball increasing from an 11 inch circumference and roughly 5.5 oz weight to a 12 inch circumference and roughly 6.5 oz weight, and 2) moving the pitching rubber back from 35 to 40 feet.
Either of those changes would a challenge on their own for reasons we are about to go over. Having them occur together can be downright daunting, especially for the size-challenged.
Let’s take the size of the ball first, since that was the order I listed them above. Have to be organized when you’re a coach, after all.
Increasing the size of the ball by an inch or an ounce doesn’t sound like much to an adult. But it can be tough on girls who already felt like the 11 inch ball was filling up their hands.
If you’d like to get a feel for what it’s like, find one of those 14 inch softballs they sell as a training aid and try pitching or even throwing it overhand. Feel how insecure it is in your hand for a while, how it kind of slips out instead of getting propelled out.
Now imagine trying to throw that to an actual hitter in a game, where a couple of weeks ago you were throwing a smaller ball. Scary, isn’t it?
Then there’s the pitching rubber moving back five feet. Again, it may not seem like much to an adult, but to someone who is still 10 or recently turned 11 it looks like a long distance.
Suddenly all the old mechanics break down as pitchers try to push the ball more to make sure it gets there (even though they really don’t need to). That extra distance also gives hitters more time to see the ball and react, so even if the pitcher is able to maintain her previous speed during this transition time (which often doesn’t happen) the hitter perceives the ball as being slower, making it easier to hit.
And suddenly, that pitcher who was dominating in 10U is getting beat up in 12U. Discouraging, to say the least.
It can take a while before those newly minted 12U pitchers get used to all these changes and start feeling confident again. But there are a couple of proven strategies to shortcut the process.
Strategy #1: Just hold a ball
This is going to seem so simple you’re going to wonder why you didn’t think of it, or wonder if it will work. But trust me it does.
The bigger ball will feel strange in your pitcher’s hand, especially if she already has small hands. As a result, the fear of having it slip out could cause her to cup her wrist as she makes her arm circle, pretty much killing general arm speed and whip at release. So…
Have her hold a 12 inch ball whenever she can – while she’s standing around at practice, while she’s reading or watching TV at home, while she’s riding in the car, etc. Familiarity will breed comfort.
Within a couple of weeks the larger ball will feel normal to her and she won’t think about it much. And if she goes back and picks up an 11 inch ball she’ll marvel at how small and weird it feels.
Strategy #2: Pitch from short distance
Actually this applies to overhand throwing too, but we’re focused on pitchers today so we’ll describe it as such.
Basically, have your pitcher get in close to a net, screen, tarp, etc., and throw from the K position, full circle while facing in 45 degrees, and even a full windup/pitch. Basically, take distance out of the equation as she gets used to the feel of the ball in her hand while pitching.
Let her feel that she can go full-out into the pitch without the need to cup her wrist or do anything else to keep the ball in her hand. The more comfortable she gets, the more she’ll relax and quit over-thinking it.
Strategy #3: Do long toss
This may seem like a contradiction with the last strategy but it’s really not. Instead, the two work hand-in-hand so to speak.
The previous strategy was part of getting comfortable with the size of the ball. This one is about getting comfortable with the new, longer distance.
As mentioned earlier, when pitchers see the new distance they can get intimidated and feel like they have to force the ball out more. But as soon as you start pulling them back you start to take the arm by itself out of the equation and let them feel more of how the whole body contributes.
The ultimate goal, of course, is when they’re finished and you bring them back up to the rubber, suddenly 40 feet doesn’t look so far away. I highly recommend doing this outdoors so you’re not limited on how far back your pitcher can go.
To do this type of long toss, draw a line in the dirt a few feet behind the pitching rubber and have her throw from there with a full windup. If she makes it on a fly (as she almost certainly will) move back five or six feet and do it again.
Rinse and repeat until she just can’t get it there anymore. Then pull her back to the rubber and watch her amazement at how close 40 feet suddenly looks.
Pro tip: To help pitchers get back further than they otherwise might, as soon as they start to struggle tell them to get more air under the ball, or try to throw it over the backstop instead of to the catcher.
This exercise will not only help with the psychological side of moving to a new distance. Performed regularly it will help pitchers increase their speed by increasing strength and general effort into the pitch.
Easing the way
Although some pitchers can make the transition from 10U to 12U without trouble, most will have some issues at one point or another. Jumping on these strategies early can help speed the process along and prepare your pitcher(s) to continue to have success going forward.
12 Ways Fastpitch Softball Has Changed Over the Last 25 Years
It is always tempting to think that the way things are today is the way they have always been. After all, it can be difficult to imagine things being significantly different if you’ve never known anything else.
Well, I’m here to tell you that the game HAS changed significantly over the last (roughly) 25 years since I became involved with it. Sometimes for the better, sometimes for the worse, and sometimes somewhere in between, depending on your point of view.
So for those of you who enjoy a little history, or who wonder if things were better in the “good old days,” or would just like a little perspective on how we got to where we are today, here are X ways the game has changed over the last 25 or so years.
#1 – The Increase in Offense
If you look back at scorebooks, especially at the higher levels of play such as D1 college games, you would find a lot of games ended with a score of 1-0 or 2-1. You would probably also find that many of those games went into 8, 10, 12 or more innings to arrive at that finaly score.
There were a lot of reasons for that phenomenon, some of which we’re going to get into below. But regardless of the reasons, there typically wasn’t a whole lot of offense being produced back then.
Hits were a rarity – never mind the powerhouse slugfests we typically see today. Many of the “old school” types who played or coached in that era believe that’s when the game was at its best.
But the reality is unless you were a pitcher or a pitcher’s parents those games were kind of boring to watch, especially for the casual fan. So much so that on those rare occasions when ESPN would televise a game they would typically tape it, run it later, and edit out two or three innings where there were no hits or runs scored because they figured nothing happened so viewers weren’t missing anything.
That’s why many of the changes that follow were made – to make the game more accessible and interesting to the casual viewer so they could hike up ratings and capture those big TV dollars. Turns out that strategy was the right one because the 2024 Womens College World Series final games averaged 2 million viewers per game, and softball at all levels is more visible than ever on TV.
#2 – The Ball
This was one of the big changes made to try to increase offense.
The original ball for fastpitch softball was white with white seams. As a result, hitters would tend to see a screaming blur of white coming at them from a close distance, making it difficult to pick up on how the ball was spinning (which might give them a clue as to what it was going to do).
Today, of course, it is optic yellow with red seams. That makes it at least a little easier for hitters to pick up and follow to the plate overall, and gives them at least a shot at identifying the type of pitch being thrown so they can react accordingly.
That said, with all the bullet spin pitches being thrown these days picking up the seam direction is probably less important. Still, when facing pitchers who do have true spin on their balls it can help.
#3 – Pitching Distance
This was probably one of the biggest changes that helped the offense. Believe it or not, when I first became involved with the sport, the pitching distances were 35 feet up through 12U, and then 40 feet from 14U up.
That’s right – the college and international pitching distance was 40 feet!
Today, of course, only 11 and 12 year olds pitch from 40 feet. The extra three feet has helped older hitters gain a little more time to see the ball and execute their swings, resulting in more offense.
With so many more pitchers throwing at or near 70 mph, however, don’t be surprised if you start seeing a movement to push the pitching rubber back a little more in the near future.
#4 – More Offseason Training for Hitters
Today it’s almost a given that fastpitch softball players will go for hitting lessons pretty much year-round. That wasn’t always the case, though.
In fact, many players rarely picked up a bat when they weren’t in-season, or at least in the pre-season. Contrast that with pitchers training constantly in the offseason and you can see another reason why there was such an imbalance.
Today it’s pretty common to see players from 10 years old up either taking lessons or showing up to work on their swings in batting cages two or three times per week. They may not always have the greatest swings, but sheer repetition has helped them out-perform many of the players in the past.
#5 – The Proliferation of Facilities
The increase in the number of players who want to work out in the offseason has led to the growth of batting/pitching cage facilities throughout the U.S.
Back when my oldest daughter started playing you had to travel pretty far to find a space where you could pitch or hit in the offseason. And I live in a pretty high popular suburban area.
Today you can hardly swing a dead cat without hitting a high-quality facility that offers not only cage space but also a weight training area, speed and agility classes, and a host of other options to help youth players develop their games. Sure beats trying to sneak into the local high school so you can get a few reps in.
#6 – More Instruction
When my oldest daughter announced she wanted to start pitching I had no idea of what to do to help her. I felt lucky to come across a coach from another team who gave pitching lessons, and would drive an hour to take her to those lessons either at a field in the summer or in a middle school gym in the winter.
This was pre-Internet, by the way, so it’s not like I could have done a Google search to find someone. It was all pretty much word of mouth.
It’s not too hard to find an instructor today. They are in every local facility, and most can be found through social media or a quick search on “fastpitch pitching instruction near me.”
Now, that’s good and bad. Good because you can find them, but bad because it allows a lot of unqualified people to hang out a shingle and take your money while leading you down a rabbit hole.
Still, with a little due diligence you can find someone who can help your daughter develop faster than she would through the trial-and-error method on her own. Which is a good thing.
#7 – The Uniforms
Now we get to some of the fun stuff.
When my oldest daughter started playing, college teams and international teams wore shorts. So naturally all of the youth players wore or wanted to wear shorts too.
In fact, the travel program my daughter was in had pants and I had to fight on their behalf to get the standard changed to shorts.
Then college teams started going to pants, largely driven by Arizona who was a powerhouse at that time. And then everyone else went back to pants.
There is that saying that what goes around comes around, so I can’t help but wonder if one day shorts will make a comeback. I’m sure all the manufacturers who sold those calf-length sliding pads are hoping that’s the case.
The other significant change in uniforms is how many today’s players often have. Back in the day it was normal to have two, which meant if you had a three- or four-day tournament someone was going to be doing laundry at home or in the hotel.
Today, of course, teams can have four or five uniforms, plus maybe a specialty one for a cause, plus practice uniforms. The players of the past are likely pretty jealous of all the options today’s players have.
#8 – Time Limits
This may be hard for today’s players and parents to believe, but once upon a time EVERY game went a minimum of seven innings. Longer if there was a tie at the end of seven, because in fastpitch softball games could not end in a tie.
Nowadays it’s common in travel ball tournaments for there to be an 1:15 time limit. Sometimes that means no new inning, other times it’s that the game stops at 1:15 and if the inning isn’t over you revert back to the previous inning.
The addition of a time limit definitely makes it a different game. It’s critical for your team to start fast on offense and not make too many errors on defense early on, because you may not have the time to make up for any issues later.
It’s also a challenge for coaches who want to give all of their players ample playing time. One rough inning and those kids who started on the bench may not see the field. Or else the coach will have to put in subs in the middle of an inning, which usually doesn’t make anyone happy.
Time limits have also had a lot of other effects on the game. You can read more about my thoughts on this big topic here and here.
#9 – Offseason Training
For much of my early coaching career it was rare for teams in areas where there was a lot of cold and snow to do any practicing during the offseason. Dedicated facilities were rare, and local schools often didn’t like to rent out there gyms to outside programs so they’d charge an arm and a leg and then make it difficult to schedule times.
The program I was with was a rare exception. We worked out a deal with the local Park District to offer “open clinics” on Saturday mornings, which would give us an hour a week to work with our teams, plus any other players in the area who wanted to sign up. We’d actually draw a pretty good cross-section of dedicated players from various teams, essentially training our competitors.
Today it’s not uncommon for teams to practice two or three times a week in dedicated baseball/softball facilities, either their own or facilities they rent. It shows up in the way they play, which quite honestly is far better overall than many of the teams of yesteryear.
#10 – Winter Games
Readers in California, Florida, Arizona, and other southern states will have no idea what I’m talking about, but for those of us in cold weather states the addition of games and tournaments during the winter has been a huge change.
There are more domes and other large turf facilities than ever, which opens up the ability for teams to play two or three times a month if they choose. While I still believe there is more value to practice than games in terms of learning the sport, I will also admit that practicing all the time without any games to measure your progress can be boring.
Having the ability to mix games in with offseason practice has been a huge plus for today’s players.
#11 – The Technology
This has been a huge advance for today’s players over those in the past. Let’s start with bats.
Back in the day if you had a Louisville Burgundy bat (old timers, you know the one) you were highly privileged. Today most players wouldn’t use that for a practice bat.
Bat technology has advanced so much that now even a checked swing can result in a double if you hit a gap. One more reason scores now are more like 7-5 instead of 1-0.
But there is also technology like 4D Motion, Rapsodo, Blast, Pocket Radar and others than can deliver hard data instead of just having coaches eyeball a pitch or a swing and guess what’s going on. Not to mention high-speed video such as OnForm that lets you slow down the skill, mark it up, and really analyzed it to the Nth degree.
Finally, there is game scoring technology such as GameChanger that not only lets family and friends who can’t attend the game follow along (or see how their favorite players did afterwards) but also provide coaches with a lot of statistical data about how their teams are doing without all the hassle of transferring the information from a paper scorebook to a spreadsheet.
Of course, the data is only as good as the person who is keeping the book, but that was also true for a paper scorebook. The nice thing is it’s easier to pull it up when you want to get a feel for how your players are doing.
#12 – The Cost
Most of the changes we have talked about have been positive. This one might be more of a negative.
Back in the day, a typical team fee for a travel ball team was $400 – $800 dollars, either with or without uniform. Those fees would cover not only tournament and practice field fees but also team equipment such as bats, helmets, and catcher’s gear.
(Yes Virginia, in the old days teams would actually supply a few bats and helmets for shared team use. We’ve come along way since then.)
These days travel ball fees can run into the thousands of dollars. It’s not unusual for families whose daughters are playing on high-level teams to pay $10,000 a year or more, not counting travel fees which are additional.
Sure, we can talk about inflation and the numbers not quite being the same. But I guarantee even if you account for those differences the cost has gone up significantly.
The price of progress, I suppose. But it does mean young ladies who once might have been interested in playing fastpitch softball have now been priced out of the market, unfortunately.
Ok, those are some of the changes I have seen. What have I missed? What have you seen change within your time in the sport, whether that’s two years or 20 years? Leave your thoughts in the comments section below.
What’s the Deal with the Colored Tape on Catchers’ Chest Protectors?
If you were watching the Women’s College World Series in 2023 and/or 2024 you no doubt noticed that Oklahoma’s catchers had a piece of blue or red tape affixed to their chest protectors. I have heard some interesting explanations as to what it might be.
One is that it’s some sort of enlarged target for pitchers to throw to. If they’re having trouble seeing the glove, or if the catcher is trying to hide the pitch location, the pitcher can sight in on the tape and throw it there.
Another is that the tape is the pitcher’s favorite color, and it’s being used to help her feel more comfortable and confident. That’s more on the right track, but still not quite there.
Actually what it is has to do with something called motor preferences. You can learn more about it here, but I will provide a quick background of what it is and how it relates to the colored tape.
The concept of motor preferences began about 20 years ago with a French company called Volodalen. They were doing extensive research in how to help athletes in many different sports (but primarily in track and field and cycling, I believe) perform better.
Through this research they discovered that all of us have certain preferences baked into our DNA. For example, when some people run they tend to bounce or rebound lightly off the ground.
They classified these athletes as “aerial.” Others tend to be more earthbound, pulling and passing as they run, so they call them “terrestrials.”
There are other tendencies as well, which I’m not going to get into right now because while I have completed an online course I want to wait until I’ve attended the in-person training to go into it in more detail. So I don’t quite feel qualified yet to offer a deeper explanation.
Motor preferences have been used in Europe for about 20 years to determine an athlete’s natural preferences so he/she is being trained properly, both to enhance performance and prevent injury. It was brought to North America by Motor Preferences Experts, whose link I provided above.
Which brings us back to the tape on the chest protectors. The color and the orientation both have significance in how they affect the pitcher.
The color is determined by whether the athlete holds his/her breath in while performing an athletic movement or lets it out. In this case, an athlete who holds his/her breath in will have a preference for royal blue. (As I understand it not just any blue will do, it has to be royal blue.)
An athlete who empties his/her lungs during the act will have a preference for red. I’m told any general red will work. All of this has to do with the rods and cones in the eyes.
There is a test to determine whether an athlete is breath in/breath out You don’t want to just ask them. That test is proprietary so I can’t share how to perform it here but I will say it’s fairly subtle so you need to be trained in it anyway.
Once you know the color, you then test to see if the athlete’s brain organizes information horizontally or vertically. That will tell you whether to run the tape horizontally or vertically on the chest protector.
Getting back to our pitchers, if the pitcher tests breath in vertical, you would want to place a royal blue piece of tape on the chest protector in a vertical orientation. If she is breath out vertical you would place a red piece of tape vertically, and so on.
The purpose, at least as I understand it, is to help the pitcher feel more relaxed and confident before she goes into her pitch. Perhaps more focused as well, all of which will hopefully help her pitch better.
The colors and orientation isn’t just for pitchers, by the way. Hitters can put a piece of the correct tape on their bats before they get into position to help them prepare to hit. Teams can put stripes up in the dugout to help their fielders before they take the field, or fielders can put a piece of tape on their gloves.
The good news for those of us who are still learning how to test is that if you mess it up and get the color or orientation incorrect there is no negative consequence, at least as I understand it. You’re just not helping the athlete the way you were hoping to.
I hope that clears up some of the mystery around the tape. While the whole motor preferences concept has only been in the U.S. for a couple of years I think awareness is starting to grow and more organizations are starting to look into it.
Consider the colored tape the “gateway drug” into the deeper world of motor preferences and how they can help your athletes perform better and avoid significant injuries. More to come on this topic after I go through the training.
What the WCWS Can Teach Us about the Changeup
Whenever I see one of my students after a tournament weekend, the first question I usually ask them is “How did it go?” Knowing how they performed in game situation is very helpful in determining what we’re going to work on in that lesson.
Hopefully I get more than “good” or “fine” or “terrible” as a response.
The next question I ask pitching students is “What pitches did you throw?” (assuming they have more than just a basic fastball). That’s where it can get a little dicey.
The answer I least like to hear is “Mostly just my fastball,” especially if that pitcher has also developed (or is developing) a decent (or better) changeup. Sorry, I know that was a lot of parentheses in one sentence but hopefully you followed it.
Now, I know that pitchers these days, especially the younger ones, often don’t have a lot of input into the pitch calling process. But I will still ask them why they didn’t throw their changeups more.
The typical answer are:
- The other team couldn’t hit my fastball so my coach didn’t want to give them a slower pitch to hit
- I threw one but it rolled in/went high/went wide so my coach didn’t want to throw it anymore
- I had a little trouble with it during warmups so my coach didn’t want to chance it in the game
- My coach says he/she doesn’t like the changeup or prefers to go with speed
- I threw a few but when one got hit my coach quit calling it
- I dunno
I get the thinking behind most of these reasons (except the last one). Coaches want to win games so will tend to go with what they think will accomplish that goal.
They also tend to be risk-averse, and often view a pitch that looks so different from everything else in the pitcher’s arsenal as too risky to throw, particularly in close games.
I hope those coaches were watching the #2024WCWS (Women’s College World Series). Because it was a veritable clinic on how effective a changeup can be – and how often it can be used.
I’ve commented to a number of people that I think I’ve seen more changeups thrown in one inning by some of these pitchers than I’ve seen in total over the last five years. It was like someone suddenly remembered how great the changeup is and passed a memo along to all the top D1 college teams in the country.
Stanford’s NiJaree Canady, to me, was the poster child for this display of pitching chicanery. Because she wasn’t just throwing a couple per inning.
No, she was often throwing at least a couple per HITTER!
She also did a great job of wiping out excuse #1 above. Canady was consistently throwing all her other pitches at 70 mph+.
I don’t care how good a hitter you are, that’s going to be tough to catch up to, especially if you can locate the ball to match the hitter’s weaknesses. At one point I saw a quote from Monica Abbott saying she thought Canady could be the first female pitcher to throw 80 mph in a game in a couple of years.
Yet Canady and the Stanford staff didn’t go there and try to blow everyone away with speed. They actually used that speed to set up her changeup, which is where she was getting a lot of her strikeouts. If it’s good enough for one of the last teams standing in the WCWS…
Another thing I saw was various pitchers (including Canady) throw some sub-par changeups. They would throw them for close balls in tough counts.
I remember at least one pitcher (I think it was Nicole May in the final game of the championship series, a pretty important time) roll the ball in on a change at least once, maybe twice. Yet the Oklahoma coaches didn’t quit calling it.
I also remember a few along the way going high, going wide, and (gasp!) even getting hit – occasionally for a home run. But those pitchers’ coaches didn’t quit calling it, because they understood that’s going to happen, even to very high-level pitchers, and that the next one in the zone will still be effective.
There were also times when a pitcher might not be throwing her best changeup. But again, on softball’s biggest yearly stage, the coaches understood that changing speeds that way could be effective even if the pitch didn’t go for a called strike.
After all, nobody wants to look bad on national TV swinging through a changeup, so it gets in the hitters’ heads. If a highly accomplished, high-level hitter can feel that way imagine the psychological pressure a changeup can put on a 12U, 14U, or even older hitter.
Probably the only argument against the changeup that the WCWS didn’t answer directly was the coach wants to call the pitches he/she thinks will win the most games. And throwing a changeup on a regular basis doesn’t give us as much assurance of winning this game right now as throwing a speed pitch does.
So here’s my question: where do you think all these high-level pitchers learned to throw their changeups in pressure situations? I can pretty much guarantee that it wasn’t at the WCWS, or even during the college regular season.
Those pitchers most likely had youth coaches who believed in them, and believed in developing them to become the best they could be. I don’t have direct knowledge of the circumstances but I’d bet pretty good money that NiJaree Canady, Kelly Maxwell, Nicole May, Teagan Kavan, and all the other pitchers we watched this past weekend who throw in the high 60s and low 70s didn’t have youth team coaches who told them to just go out and blow the ball by everyone.
My guess is their coaches threw the changeup even when they didn’t need to, because they knew it would help those players (and countless others) become the best they could be. They also knew one single pitch rarely determines a tournament outcome so they could always come back with something else or change strategies if the changeup didn’t work.
All those young women throwing changeups in the WCWS were given ample opportunities to develop that pitch so it would be ready for when it mattered most.
Hopefully today’s youth coaches were paying attention, and saw how effective the changeup can be when it is called early and often, sometimes a couple of times in a row, even against some of the best hitters in the game.
If you have a pitcher who can throw a changeup, even if it isn’t the greatest in the world right now, take advantage of it and use it. If you let her develop it now I guarantee it will help your team win more games in the long run.
And you might just get the pleasure of watching one of your pitchers throw it on TV someday.
Fastpitch Pitching Advice from Taylor Swift
This week’s topic goes hand-in-hand with last week’s blog post about the art of pitch calling. If you haven’t read that one yet I suggest you do; it’s brilliant.
All too often these days it seems like fastpitch pitchers are treated like a vending machine. Someone puts a pitch call in and pitchers are expected to spit it out with zero thought involved.
To me, and I think to most pitching coaches (PCs chime in here in the comments) that is absolutely the wrong approach. Instead, pitchers need to be playing along in their heads, thinking about what that hitter looks like, what’s worked on her in the past (if she’s faced her before), what pitches are working today (and how well), and what she thinks ought to be the next pitch she throws.
Then, if the pitch call lines up with what she’s thinking (more or less), she throws it. If it doesn’t, she takes the advice of the ubiquitous Ms. Swift to:
I know it can be difficult. Sometimes nigh on impossible if the pitcher has a coach who believes in his/her own omniscience when it comes to pitch calling, whether that opinion is justified of not.
But if the opportunity is there the pitcher really ought to be the final deciding factor on which pitch gets thrown next. Just like a pilot is the ultimate decision-maker when the plane is in the air.
After all, it’s the pitcher who is going to have to live with the consequences of her pitch.
Of course, in order to do that effectively someone has to train the pitcher on how to set up a hitter and keep her off balance. In other words, how to make decisions on which pitches work best in which situations.
I like to do this during lessons. Team coaches can do it during bullpens. Here’s how.
Select a type of hitter and a situation. For example, no one on, no one out, left slapper leading off.
Then ask the pitcher which pitch she wants to throw. If she’s not sure where to start, guide her with some parameters such as whether the slapper is experienced or a newly converted righty, whether she runs toward the pitcher or toward first base as she comes out, if she stands tall or squats down, how good the defense is behind her, etc.
You can also give some general hints, such as slapping is about timing and slapper are usually trying to put the ball on the ground between shortstop and third. All of that will factor into which pitch to throw.
The pitcher then makes the call. If it’s a good one, she throws it and the outcome (ball or strike) leads into the next pitch call. If the pitch decision isn’t so good, the coach talks it through with the pitcher a little more to help guide her.
With some regular training the pitcher can become smarter, and thus an active participant in the pitch calling decision rather than just a robot programmed to follow directions.
I understand that it’s difficult for a player to feel confident enough in her own decisions to try to overrule a coach by shaking off a pitch. Doubly if the coach is a parent or teacher or just someone who has a more authoritarian approach to their coaching.
But it’s a skill worth learning. And not just for softball.
There’s a pretty good chance that at some point in her life, that pitcher will face a non-softball decision that involves some risk, or perhaps even a moral dilemma. The easy thing to do will be to just follow along with whatever the person in charge says.
But the easy thing isn’t always the right thing. Gaining experience in being part of the decision process, and standing up for herself when she feels strongly another way, will help her avoid much more serious issues later in life than whether a particular hitter got on base in that at bat.
Again, I know it isn’t easy. But it’s worth learning.
Knowing when to shake off a pitch call, and having the confidence to actually do it, is an important of growing as a player, and growing up.
Don’t just be a pitching vending machine. When pitchers become an active part of the pitch calling decision they’ll find they have more success – and more fun.
Vending machine photo by Jenna Hamra on Pexels.com
The Art of Pitch Calling
Whenever a group of fastpitch softball fanatics gets together to talk about pitching, they (we) often talk about the three S’s – speed, spin, spot. You need a healthy dose of all three to be successful, especially at the higher levels.
Within that, however, there is one significant caveat.
Success with speed and spin is almost entirely pitcher-driven. In other words, when you get into a game the pitcher takes whatever skill she has acquired in these areas and applies it to the best of her ability.
Spot, however, is a little different, because often the pitcher doesn’t really have a choice in which spot she is throwing to. She may want to (or prefer to) throw high and inside in a particular situation, for example, but if whoever is calling the pitches wants it low and out that’s where she’s expected to throw it.
That’s what makes pitching calling such an art. No matter how great the pitcher is at hitting her spots, that alone isn’t enough. The pitch caller also has to be smart enough or experienced enough to call the right pitch in each situation or all that spot-hitting ability is essentially neutralized. Or even detrimental.
So how do you go about calling pitches? That really depends on the level of play and the ability of the pitch caller to determine what will work based on all the available information.
For example, in the P5 conferences, and I’m assuming many other collegiate programs, the team has a wealth of data on each hitter and what her tendencies are. Especially for long-term players. There’s a lot of data science in it.
They know what pitches and locations a hitter strikes out on the most and what she pummels over the fence on a regular basis. They know if she’s susceptible to certain locations based on past performance and they know which pitcher threw that particular pitch.
After all, if a hitter has trouble on the inside against a pitcher who throws 70 mph, it doesn’t mean she’ll always have trouble in that location. The more varying the data is, and the more of it you have, the better chance you have of making a good decision.
That, incidentally, is why some freshmen or newly elevated-to-starter-status players will start out hot and then cool as the season wears on. At first there isn’t much reliable data about them, but eventually it starts to accumulate.
But what if you don’t have the luxury of well-populated spray charts and other data? That’s where it becomes more of an art form.
There are some charts out there (like this one) that offer some guidance based on things you can observe. Most of them are based on common sense, such as if a hitter is crowding the plate try to jam her inside with your fastest pitch.
Again, however, it’s not quite that formulaic. It could be that this particular hitter is crowding the plate because she is awesome at hitting inside pitches and not so good at hitting outside pitches.
You try to smoke her inside and she’s going to turn on the ball and launch a very long, dispiriting home run.
That’s why it’s important to develop a feel for pitch calling rather than simply relying on charts or conventional wisdom or other things from the past. You need to be able to look at a hitter and see what she’s bringing to the plate that day.
Another important skill is learning how to set the hitter up for the outcome you want. For example, if she awkwardly swings at a low outside pitch for strike one, she just showed you she’s probably not comfortable out there.
Try another one a little further off the plate. If that induces strike two, see if you can get her to swing at a curveball off the plate.
If she doesn’t bite, you can try coming inside, then going back outside again if necessary. The idea is to make sure she never gets totally comfortable with what she’s seeing.
Another good strategy is if the hitter fouls a ball straight back on a speed pitch (fastball or drop ball), come back at her with a changeup. If you make her look bad with that she’ll probably figure you’re coming in for the kill with a speed pitch again so maybe throw her another change that falls off as it reaches the plate.
The possibilities are endless. The key is to see where she looks least comfortable and use that information to keep her off-balance and uncertain.
One other key piece of information when you’re calling pitches is to never throw more strikes than you have to. What does that mean?
When you get two strikes on a hitter it’s tempting to try to just put her away right then and there by overpowering her, especially at the younger ages. But unless the other team’s hitters are completely over-matched by your pitcher, that’s a bad idea.
They’ve already had an up-close and personal look at two pitches. If the hitter is any good at all she is starting to figure out your pitcher a little more.
Instead, throw a ball that looks like a strike. It could be a drop or curve or rise that starts in the zone but gets out of it by the time it reaches the plate.
It could be a fastball that’s a ball’s width too high or too wide to be hit effectively. It could be a dying quail of a changeup that starts out thigh-high and then hits the plate or the dirt in front of it.
Just don’t give them anything too good to hit. Work the edges, throw off the hitter’s rhythm, or do something else to make sure she can’t take her best swing at the ball and you’re likely to achieve much better results.
While there is science to pitch calling, at the end of the day it’s still more of an art. And like any art, some people have a knack for it and others don’t.
If you find you’re a don’t-have, find someone else on the team who does have it – an assistant coach, a catcher, even another pitcher – and let them do it. If there are no other options talk to people you know who are good at it to learn their thought processes as to why they call the pitches they do.
That way when you call a spot you’ll not only expect your pitcher to hit it. You’ll be confident it’s a spot worth hitting.
Changeups Work Better When You Call Them
Ask anyone who knows a thing or two about fastpitch softball pitching about the changeup and they’ll tell you it’s one of the greatest weapons a pitcher can have in her arsenal. The ability to take 10-15 mph off the speed of a pitch while making it look like it will be delivered at the pitcher’s top speed works at every level, from rec ball to college to international play.
Here’s the thing, though. Just like a $500 bat works better when you swing it than when you stand there watching pitches go by, the changeup is far more effective when you throw it.
Now, that may seem obvious but from what I hear from frustrated pitchers, parents, and pitching coaches across the country apparently it’s not. For whatever reason, it seems like when many or most coaches are calling games they prefer to try to blow the ball by the hitter with every pitch rather than mixing in changeups and offspeeds.
Even when the pitcher is clearly not capable of blowing the ball by every hitter on the opposing team.
Personally, I don’t get it. One of the fundamental tenets of pitching is that hitting is about timing and pitching is about upsetting timing.
What better way to upset timing than to throw a pitch that looks like it will be fast but actually comes out slow? Not only do you get to make the hitter look silly on that pitch, you’ve now planted the idea that she can’t just sit on the speed and hit it (because she doesn’t want to look silly again), which means you’re now living rent-free in her head.
I think in some cases one reason coaches will shy away from the changeup is they try one and the pitcher either throws it toward the sky or rolls it in. They’ll then make the decision it isn’t working so won’t call it again.
That’s crazy though. Does that mean if a pitcher throws a fastball in the dirt or into the backstop they won’t call the fastball anymore?
Of course not.
So why shy away from a great pitch when the first one doesn’t work? Try a few, and if it’s still not working then table it for that game and come back to it another time.
Now, I will admit that some fortunate coaches may have a pitcher who actually can blow the ball by all the hitters on opposing teams so they may feel that pitcher doesn’t need to throw a changeup in games. After all, she’s already successful without it.
But that’s short-term thinking. Because if the pitcher really is that good, and wants to continue playing at higher levels, she’s going to eventually find that speed alone no longer gets the job done.
And if she finds that out in college (as some do every year) she’s then going to be scrambling to try to learn to throw a pitch that she should have been throwing regularly since she first learned how to spot that fastball. It could make for a very rough season.
A good changeup has the opposite effect of a pitching machine. The reason most hitters find it tough to hit off a machine (at least at first) is that the speed of the arm feeding the ball doesn’t match the speed of the pitch coming out.
In other words, the arm moves slowly to put the ball in the feeder, but then the ball comes out at whatever high speed it’s set at. The visual cue of the arm doesn’t match the speed of the pitch and thus the hitter has trouble figuring out when to swing.
A great changeup gets the same effect in the opposite way. The visual cue of a well-thrown changeup makes it look like it will come at the pitcher’s top speed, but then the ball comes out 10-15 mph slower.
By the time the hitter’s brain has processed what’s happening she has either already swung or was frozen in place by the incongruity of what she saw, and doesn’t recover until after the umpire has called the pitch a strike.
None of that goodness can happen, however, unless someone actually calls for the changeup.
My recommendation on how to use the changeup is the same as the instructions for how to vote in Chicago: early and often.
Show it early so the hitters know it’s a possibility, meaning they shouldn’t get too comfortable. Even if it doesn’t work the first time it may just set the hitter up for the next speed pitch, i.e., it will make the fast pitch look faster.
Use it often to keep the hitters off-balance. Again, even if it’s not actually working the best.
Force the hitters to learn to have to lay off of it and maybe you’ll get a few more called strikes on other pitches as hitters and coaches try to guess when it’s coming. A little confusion at the plate goes a long way.
Finally, use it regularly to help your pitchers learn to throw it more reliably in games. Many coaches and programs talk about “developing players.”
Here’s a chance to put your money where your mouth is, metaphorically speaking. Help your pitchers become more effective in the long term by developing their changeups, even if it costs you a win now and then, and you’ll have fulfilled that part of your mission.
It’s easy to think of the changeup as being a “beginner pitch” because it’s usually the second pitch a pitcher learns. And because movement pitches such as drops, rises, curves, etc. seem more impressive.
But the reality is a pitcher who is changing speeds effectively, and at will, without tipping the pitch, is going to be awfully tough to hit at any level. Start calling the change more often and you just might be pleasantly surprised at the results it delivers for your pitcher – and your team.
Little Things That Make a Big Difference
It seems like softball coaches, players, and especially parents are always in search of the “silver bullet” – that one technique or piece of knowledge or magic adjustment that will take an average (or below-average) player and turn her into a superstar.
That desire is actually what keeps a lot of what I would call charlatans – people who claim to have a “secret sauce” when really what they have is a knack for hyping otherwise very ordinary solutions – in business. It’s also what drives some of the incredibly crazy drills or controversial posts you see on social media.
Well, that and a need to constantly feed things into the social media machine so they can keep getting those clicks.
In my experience there is no single silver bullet or secret sauce drill that can turn an average player into a superstar overnight. There is no “next big thing” either.
But there are a lot of little things that can make a huge difference in your game if you learn to execute them properly. Here’s a little collection of some of them.
Pitching a rise ball
The rise ball is often the toughest pitch to learn. That’s because getting true backspin on a 12 inch softball (versus the typical bullet spin) requires the pitcher to do some things that work against the body’s natural tendencies.
One of the biggest has to do with what the hand and forearm do at release.
The natural movement for the hand and forearm as they pass the back leg is to pronate, i.e., turn inward. If you hold your arm up and let it just drop behind you, you’ll see that inward turn when you get to the bottom of the circle.
Try it for yourself, right now. Go ahead, I’ll wait.
When you’re throwing a rise ball, however, you have to keep the hand and forearm in supination, i.e., pointed outward, as you go into release if you want to be able to cut under the ball and achieve backspin. Otherwise you’re throwing a drop ball.
What often happens, however, is that in trying to keep the forearm and hand pointed out, the pitcher will cup her hand under the ball so the palm is pointed toward the sky or ceiling. That may work to impart backspin when doing drills from a short distance away, but it will also create a “big dot” spin instead of a more efficient and active “small dot” spin when thrown full-out.
So, to throw a true backspin rise the pitcher needs to learn to keep the palm of her hand pointed mostly out to the side, with just a slight cupping of the fingers. In other words, throw with more of a fastball-type orientation (fingers down) going into release, then angle the hand back up slightly so the fingertips are under the ball instead of to the side.
Do that and you have a much better chance of getting 6 to 12 backspin. (For those unfamiliar with that term, think of an analog clock, with the spin direction moving from the bottom at 6:00 to the top at 12:00.)
Another key is to freeze the fingers at release rather than trying to twist the ball out like a doorknob.
Again, twisting or “twizzling” the ball (as Rick Pauly calls it) will work when you’re self-spinning or throwing at a short distance. But once you try to put any energy into the ball, your hand’s natural tendency to pronate or turn in (remember that from a few minutes ago?) will cause you to turn the palm forward and create bullet spin.
Now, if you can throw the ball 70 mph or more, I suppose it doesn’t matter how your rise ball is spinning so you can get away with that. But if you’re not, forget the twizzling and make sure your hand simply cuts under the ball like a 9 iron hitting a golf ball onto the green and you’ll have a lot more success with it.
Bend in slightly to the curve ball
The curve ball tends to have the opposite problem. Here, you want your hand to be palm-up (if you’re throwing a cut-under curve) so the spin axis is on top of the ball.
The problem is many pitchers will tend to extend their spines a little as they go to throw the curve, which will naturally make the hand tend to sag down, turning the palm more out and away rather than up.
To avoid that issue, try bending in slightly over your bellybutton (on the sagittal plan for those who love the technical terms). That slight bowing in makes it easier to maintain a palm-up orientation, placing the spin axis on the top of the ball and creating a better chance for the fast, tight spin that enables a late break.
Get hitting power from your hips, not your arms
Look, I get it. You hold your bat in your hands, which are at the ends of your arms. So logically you would think to hit the ball harder you should use your arms more if you want to swing the bat harder.
And yes, that will work if you’re on a tee, where the ball isn’t moving. But if you’re not 7 years old, it won’t work so well when the ball is moving.
The reason is when you use the arms to create power, you give up control of the bat. You’re just yanking it wildly and hoping something good would happen.
The better approach is to use your hips (and core) to generate energy through body rotation. More energy, in fact, than you can create with your arms.
Then use the arms to easily direct that energy toward the ball. Approaching it this way will give you the adjustability you need to take the bat to where the ball is going instead of where it was when you first started the swing.
Generating power from the hips first also gives you more time to see the ball before you have to commit the bat, further allowing you to fine-tune the path of the bat to where the ball will be when it gets close to the plate.
Remember, the difference between a great contact and a weak one, or no contact for that matter, can be measured in centimeters (fractions of an inch for those who don’t remember the metric system from school). The ability to make fine adjustments during the swing is often the difference between a great hit and a poor one. Or none at all.
Shoulder tilt creates bat angle
While we’re talking hitting, another small adjustment has to do with the angle of the shoulders at contact.
We’ve all heard the instruction to “swing level” at some point or another. Many of you may have even said it, or say it now.
But if by swing level you mean having the bat parallel to the ground you’re just asking for a season filled with pop-ups and ground balls.
If you look at great hitters at the point of contact, you’ll see that 99 times out of 100 they have an angle on the bat that slopes down from the handle to the barrel. If you look a little further, you’ll see that the angle of the bat usually matches the angle of the shoulders.
So…if you want to get a great bat angle to hit rising line drives and other powerful hits, you don’t really need to manipulate the bat. You just need to let the back shoulder tilt downwards toward the ball. This preferably happens about halfway through the turn rather than dropping the shoulder first and then turning.
Think of the back shoulder as an aiming device. Once you see where the ball is headed, take the back shoulder in that direction and swing on a plane that matches the shoulder angle.
Before you can say “Bob’s your uncle” (always wanted to use that one) you’re crushing the ball deep – without having to do any crazy manipulations.
A better way to put on your glove or mitt
Given the power of the Internet to spread information I’m surprised that this little trick isn’t more well-known.
When most people put on a softball glove or mitt, they tend to put it on as they do a regular glove, i.e., one finger in each slot. I mean, it makes sense, right?
But that’s now how the pros do it. The problem with the one finger, one slot approach is that you ring and little fingers are your two weakest fingers. Far weaker than the index and middle fingers.
So when you go to catch the ball, your weakest (little) finger is trying to close at least half, if not more, of the glove by itself while the strongest part of your hand is closing the other half. You don’t have to be an anatomy expert to figure out why that can contribute to a lot more dropped or mis-handled balls.
Here’s a trick that can solve that issue: Take your ring and little finger, hold them together, and then slide them into the loop in the last finger stall. Then move each of the other fingers over one toward that end, leaving the area for the first finger open.
Now your two weakest fingers have combined to create one stronger finger, better balancing the closing power between the thumb and other side of your hand. You middle finger also gives somewhat of an assist to the other two.
And bonus, you no longer have to leave your index finger out of the glove to keep it from hurting when the ball hits the palm of the glove because it’s not in that spot anymore!
It’s going to feel awkward at first, especially because your hand won’t go into the glove quite as deeply. But try it for a month. You’ll never go back to the old way.
Little things mean a lot
None of these little tips are earth-shaking or revolutionary. But each of them can make a significant difference in your performance.
If you’re struggling with any of these issues, give these tips a try. It’s amazing the difference a slight adjustment can make.
Life in the Fastpitch Lane 