Category Archives: Hitting

To hit hard, you have to practice hitting hard

Ok, the title statement may seem a bit obvious. But bear with me for a bit while I explain what it means.

Very often in batting practice, hitters will measure success by whether they hit the ball or not. A swing and a miss equals failure, so they’ll do whatever it takes to make contact — even if that means slowing down their bat if they’re ahead.

You can tell them to start the swing later, but that advice doesn’t always translate that well. So what the hitter winds up doing is making a lot of contact in the cage, but what she’s really practicing to do is hit weak ground balls and little infield pop-ups.

One thing I’ve found works to help hitters learn to hit the ball hard is to redefine the measure of success. Instead of letting them measure it by hits, try convincing them to measure it on good swings instead — even if that results in a lot of swings and misses. Keep encouraging hard, strong, fast swings and the hitter will figure out what she needs to do to time it correctly. It won’t be long until those weak grounders and little popups turn into powerful line drives — and even dingers.

Motionview! video analysis software

This is a reprint of a product review I wrote last year for Softball Magazine. The product is definitely worth checking out, so I thought I would post the review up here. Hope you find it helpful.

One of the best and most popular tools for helping player development is video. With a simple camera and playback device (such as a TV), players have the opportunity to see themselves in action and perhaps gain a better understanding of what their coaches mean. After all, it’s one thing for a coach to say “you’re dropping your elbow when you throw.” The player may think the coach means the elbow is dropping to a point just above the shoulder. But when watching the video, he/she can see the coach means it’s dropping to a point just above the bottom of the rib cage.

The camera/TV combination is fine for basic viewing, but it makes it difficult to really get into the topic. Downloading the video to a computer and watching it on Windows Media Player, Apple QuickTime, or RealPlayer is somewhat of an improvement, but those applications are still very limited in their ability to show and explain exactly what’s happening.

Recently I downloaded such a product. It is called MotionView!, a software application from AllSportsSystems. It is a feature-packed program that allows a coach to provide a thorough, multi-point analysis of a student’s performance, either from live or previously captured video.

The version I downloaded is called MotionView! Coach. It is their mid-level product, but it provides everything I (and most coaches or parents) will need.

The drawing toolbar is robust but easy to use. The basic drawing tools include the ability to draw lines, circles, and squares. An extended toolbar adds the ability to draw angles, arrows, freehand shapes and more. You can choose from six different colors, and even change the thickness of the lines as needed.



One interesting tool, especially when working with pitchers, is the ability to add an analog clock face. When you’re telling a pitcher that the hand should be between 10 and 11 o’clock when the stride foot toe touches it helps to be able to draw that clock. Keep in mind a lot of kids these days rely solely on digital clocks, which means they aren’t really sure where 11 o’clock is. But they’ll never tell you. They’ll just nod as if they understand.

               

Another handy tool is called the “kite tail.” This one is a bit more complicated because it first requires you to carve out a brief section (called a canister) of your video. Once you have the small clip, though, you can mark each point of a moving object to create a continuous line. MotionView! advances the frames for you automatically. Once all the frames have been marked and you hit the “play” button, the video traces the line, showing the motion. For example, if you mark the tip of the bat during a swing, you can see the whole path the bat takes. The only problem is it doesn’t give you the smooth curving line that’s shown on the Web site. It’s more of a polygon – a series of straight lines that create a shape, Still, you can gain a lot of insight regarding the path of moving object with this tool.

There’s more to MotionView! than drawing tools, though. You can run the video backward and forward, adjusting the speed from regular to slow to frame-by-frame. You can also reverse the view, turning a left hander into a right hander or vice versa. You can open two videos at once for side-by-side comparison, say between your student and a top-level player or a before-and-after comparison, and even synch them together. With the Coach version you can overlay one video on top of another, and export still shots to pass along to the students.

Sounds like a lot for just $85 (with the online coupon). But as they say on all the Popeil commercials, wait! There’s more! There is a built-in timer that shows the elapsed time in the video. You can convert a section of the video into a film strip so you can see the entire movement at once. You can zoom in on sections of the video and adjust the display to different sizes – including  full screen mode. You can even type in titles or instructions that can then be exported along with the video.

The download itself is a little kluge. No matter what version you want, you have to start by downloading the free “Lite” version. Once you have done that, if you have purchased a higher level version you have to send an e-mail or go online to request the code to unlock your version. AllSportsSystems is pretty responsive but you still may have to wait a few hours to get your key code depending on the day and time you make your purchase. After I did the download the application started looking for a file that didn’t exist, and would give me an error message. But an e-mail to AllSportsSystems solved the problem quickly. They responded within 12 hours on a weekend, so I give them an A for customer service.

This is an outstanding, feature-packed application that allows you to perform an unbelievable variety of analysis. If you’re a coach looking for a better way to show students what they’re doing, or a knowledgeable player who wants to improve his/her game, check out the MotionView! family of products. You won’t be disappointed.

Understanding the weight shift

Back when I first started getting into all of this, there were two distinct schools of hitting — weight shift and rotational. There were all kinds of debates and arguments over which was better, with many heated flame wars erupting.

These days, thanks to high speed video, the two schools have converged. The current state of the art starts with a weight shift, setting a new center point ahead of the center in the stance, then goes into a rotational movement with the hips leading the hands.

We’ll talk about the latter part some other time. Right now I want to go a bit into the initial weight shift. It starts from the stance, goes into a negative (backward/loading) movement, and then into the forward movement that ends when the front toe touches down.

Sometimes players have a hard time grasping this weight shifting. They might push back a little at the start, but only come back to center. Or they may move very mechanically. Neither really accomplishes what you want.

The movement has to be more flud, like a dance movement. It’s a little push back of the hips (toward the catcher) that rebounds like a slingshot and then goes forward.

The object is not to move the front foot forward. It’s to move the center of gravity — the balance point — forward. Generally speaking the center of gravity resides in the butt, or between the hips. If you think of a little circle with a plus sign in it, it sits in the pelvis. You should see it move forward of where it started. Otherwise you’re not getting the full benefit of momentum into the pitch.

This is very different than the old school of the sport. We used to teach that the stride should be short and soft. Not anymore. That’s not to say you should stomp forward and get all your weight over your front foot. Instead, you should move that center of gravity forward, landing on the toes/ball of the front foot, then drop the heel to initiate rotation.

Hopefully I can upload some video stills or video to illustrate this point soon. In the meantime, hopefully this description will suffice.

Time to put away the squishy bugs and weight back

It’s funny how some things seem to go on and on, despite the evidence to the contrary. One of those is the old notions on how to hit.

Back in the day, the standard way of describing how to go into the launch phase of hitting was to reach the foot forward softly, keep the weight back, squish the bug and swing. If you’re still teaching that, stop. Stop right now. It’s not how good hitters hit, either in baseball or softball.

Here’s an example from a couple of years ago. It’s Kristie Fox of Arizona hitting a home run.




If you slow it down and watch step-by-step, you will see the first thing she does is shift her weight forward, onto her front foot. She establishes a new center point ahead of where she started, and then rotates around it. She is still leaning back a bit with her upper body, but that could be due to the type of pitch.
 
That’s just one example. Since we’re heading into the college softball season, set your DVR for some Division I games, especially out of the PAC 10. As usual, they’re out ahead of it. But you’ll also see Michigan, Lousiana-Lafayette, and dozens of other schools doing the same thing. The same as major league baseball hitters.

Still not convinced? See what Mike Candrea has to say. You can preview the USA Softball video at SportSkool. Coach Candrea knows a lot about hitting. Between the U of A and the USA Olympic team he’s demonstrated his knowledge and ability to apply it. He used to teach soft stride and keep the weight back. He doesn’t anymore, because he found it wasn’t true or necessary.

Again, if you’re still teaching hitters to keep their weight back because that’s what you were taught when you played (softball or baseball) it’s time to do some homework. High speed video has allowed us to see what hitters really do instead of what we think they do. The best in the game don’t squish the bug or keep their weight back. They drive their weight into the pitch, establish a new center point, and rotate around it.

Great hitting video excerpt on YouTube

One of the problems that seems to come up a lot with hitting is that the folks who are teaching it often make it way over-complicated. They put in a lot of steps, get lost in a lot of minutae, and ultimately leave the hitter more confused than when he/she started.

This video excerpt  on YouTube does a great job of simplifying the concept of what is often called rotational hitting — using the big muscles of the body to rotate the body, and ultimately the bat — into the ball to develop more power. Ken van Bogaert does a great job of explaining why you want to use this technique, how it works, and even provides a little info on some drills to help develop this type of swing.

What’s particularly interesting about it is Ken doesn’t use clips of steroid-enhanced athletes to make his points. You can find those all over the Internet. Instead, he shows young baseball players who are still in the learning phase. While their swings may not be perfect, you can see how over time they will be well ahead of other kids who don’t learn these techniques. After all, it’s one thing to teach the enormously gifted how to swing. It’s another to get the same type of results out of the average kid who’s on your team.

The clip is there to entice you to buy the full video. (Fair disclosure: I was a consultant on the video, although I receive no compensation as a result of it.) It’s worth the investment, especially if you’re struggling to learn all the terms and techniques that Mike Candrea, Sue Enquist, and many others are espousing. Ken keeps it nice and simple.

The players shown are all baseball players, but that’s ok. It’s the same swing. The principles apply just as well to softball. I know. I’ve used them myself for years.

Bill Hillhouse and the PCM

I admit I’m a little behind on my softball reading, but I just read a great article on Bill Hillhouse’s House of Pitching Web site. It’s a rant about what he calls the Pitching Coach Mafia (PCM) and how it’s ruining the chances of pitchers to have a great career. He couldn’t be more right on.

Bill is a somewhat controversial guy because he calls it like he sees it, and doesn’t mind it if people don’t like that. As I read the article, though, all I could think was “right on!” He is constantly crusading against some of the bad techniques that are being taught by various instructors who may mean well but shouldn’t be teaching.

One example Bill mentioned is locking the elbow while pitching. I have stood in gyms where kids I knew were taking lessons extended their arms out as far as they would go, locked their elbows, and pushed the ball through the circle. They tend not to continue pitching by the time they’re about 15. Other examples are “closing the door” (slamming the hips closed), exaggeration of the wrist snap, and slapping the leg with the glove. Ouch!

One I’d like to add to that list is touching the shoulder with the hand after the pitch. The reason given for doing it is to make sure the pitcher follows through. But she doesn’t really. A follow through involves bringing the elbow through, not just the hand. Trying to touch the shoulder with the hand is a proven way to develop elbow problems, and it will actually make you throw slower, not faster. It will also prevent you from learning other pitches.

In the article, Bill also talks about the folks who know nothing about hitting but teach it anyway — which is why this post is also classified under hitting. Things like slapping the back with the bat make no sense at all, yet enough girls do it that somebody has to be teaching it. Bill says he thinks the hitting problems are worse because while not everyone feels qualified to talk about pitching a softball, everyone thinks they know how to swing a bat.

Be sure to check out this article, as well as others on the site. He’s a great resource to tap into.

Strength of the arms v. the legs

Last week my friend (and former assistant) John Parssinen sent a link to an article from the NY Times (I think) that explained an important consideration in both hitting and pitching. The article was about some advice that new Cub Kosuke Fukudome was giving to players in the Japanese industrial league as part of his farewell tour.

He was talking about how important it is to use the legs instead of the arms alone. He was talking about hitting, but it applies to pitching and throwing as well. Fukudome told them to imagine someone told them to stand on their hands. How long do they think their arms would support them? Then he said think about standing on your legs. You can do that all day, because they’re much stronger.

Hitters develop more power when they get their legs and torsos involved than when they just swing with their arms. I’ve never understood why anyone would think arm swinging is a good idea, but there are still plenty of fastpitch coaches who teach it.

It’s even worse for pitchers. It frustrates me to watch an otherwise good pitcher throw all arm. Some can throw hard for a little while, but they tend to tire easily. The arms are just not made to carry that kind of load. Pitchers’ arms need to be fast and loose, not tight and muscled up. That’s not to say they don’t need to be strong – they do — but the arm’s strength is needed to transfer power, not create it. That’s basic physiology. At best they can only add to power over the long term.

One last thing to keep in mind: Fukudome was talking to a group of men. Men’s upper bodies are far stronger than women’s. So if men need to use their legs to create power, it’s even more important for women.

Take a cue from Fukudome. Use the strongest parts of the body to create power and you’ll throw/hit harder and last longer. That’s the way Nature planned it.

More clues on getting rid of bat drag

I know it seems like an obsession, and perhaps it is. But I am bound and determined to rid the fastpitch softball world of the scourge of bat drag. It has been an iterative process but I think we’re getting closer to an answer.

After watching a number of videos in slow and step motion, both with and without bat drag, two items seem to stand out above the others. The first is the shoulders starting rotation before the hips. Standard hitting canon says the hips start before the hands, or the shoulders. But to some hitters that is counter-intuitive. The bat is in the hands, so they think they should start the swing with the part of the body that’s holding the bat.

The problem is they also have been told to keep the hands back at the launch of the swing. There are even expensive hitting devices to help them learn that. So what winds up happening is that the shoulders turn and the elbow pulls down while the hips hesitate, then follow. So the elbow winds up getting in front of the hands and voila! You have bat drag.

Another problem comes with the hands themselves. During the load or negative move phase, the hands get pushed back too far. The symptom you will see is barring out or straightening of the front arm. Many coaches know that barring out is bad, as it can lead to casting the hands out. But it’s also bad even if there’s no casting, because once again that elbow will pull down and start moving forward, even while the hands are moving (or staying) back. Once again the result is bat drag — the elbow leading the hands and the bat coming through the hitting zone late.

The cure for the first condition is obvious, though not always easy to execute. The hitter must learn to start the hips rotating ahead of the hands as well as the shoulders. A lower body, or more accurately center of the body first movement will get things working in the right order. At that point, the hands should stay tied to the back shoulder until it’s time to start making contact.

The cure for the second condition is to cut the negative move way down. A slight push back of the hands is all that is needed to overcome inertia and prepare for the swing. A big windup will simply cause problems. Again, keeping the hands tied to the back shoulder is the key.

Much of this is best learned on a tee. Taking ball movement out of the picture allows the hitter to focus on the mechanics. Once they have the general idea, it’s time to apply movement, either with side toss, machine hitting, or live pitching. That doesn’t mean the tee work is over, though. It takes many good repetitions to overcome old habits, and the tee is the best place for it. The other stuff is merely the level check to see if it’s taking.

One last thought. A lot of this is difficult to see, even if you’re used to looking for it. If you’re not, it gets even harder. Invest in a good video camera and analysis software such as MotionView or V1 Home(or RightView Pro if you have more money than you need) and you’ll make it easier to make corrections for both yourself and your players.

Bat drag update

I promised to keep you up to date on developments in the bat drag department. Here’s the latest.

Our experiment with taking the front shoulder down at toe touch is working pretty well. But it’s still possible to get that back elbow ahead even if you get to that position. I was hoping for a silver bullet but it hasn’t quite turned out that way. There are two causes I’m seeing.

One is just flat out dropping the back shoulder again after toe touch. If the first movement of the shoulder is to go down, the elbow can get ahead. You haven’t really cured it in that case, you’ve just delayed it.

The second is more interesting. I just spotted it watching some video. If the shoulders  begin turning before the hips, it’s possible to get that elbow out ahead of the hands, especially if the hands are staying back . The experiment now, with one player in particular, is to make sure the hips start first, then the shoulders. It’s a momentary difference but I think an important one.

We’ll be working this weekend on it, and I should have a better idea in a couple of weeks whether it will be another piece of the puzzle. The other things we’ve done have helped other players, but it seems like there’s always one more thing to try. Even the girl we’re working with on the hips/shoulders thing, though, has shown a lot of improvement in her swing overall. Lots better batspeed, and lots better contact to all fields.

One thing that is challenging in trying to figure all this out is the difference in flexibility between a fat old coach and a young female athlete. Things I try that work for me don’t always work for them. Their flexibility allows them to do things (or contort themselves) in ways I can’t. It’s an interesting dilemma, but one we will solve.

Shake, rattle and find another bat

Here’s another subtle rule change every player and coach should be aware of for 2008. During pre-game equipment inspections, if your bat rattles when shaken you will no longer be allowed to use it. Click on this link and then click on the 2008 playing rules with comments link to read it in its original form. It’s the second rule listed.

I don’t have a problem with the rule. I’m all for safety. But it’s never been something to be concerned about before. You’ll definitely want to give your bat a shake from time to time to see if it makes a noise, and you’ll definitely want to do that before you buy a new bat. If you hear anything, don’t buy it (if it’s new), and don’t plan on using it (if it’s old).